died or gone into retirement. Kobayashi himself had not known
which was true, but when he had made inquiries, through channels
known to certain trusted individuals, he had learned that the latter
was the case. Many lucrative contracts had been turned down. But
now this Morpheus, whoever he might be, had come out of
retirement, specifically out of respect for him. Kobayashi felt very
surprised and flattered. And he was even more surprised and
flattered when the call came and he learned that he was actually
going to meet with Morpheus face-to-face.
He was also surprised at the choice of the location. He might
have expected some out of the way bar or sex emporium in the
Ginza, someplace that might be more conducive to a secret“
meeting, someplace where two people might talk in a manner that
would not allow them to actually see each other, but he had not
expected this and he realized now that the choice had been inspired.
It demonstrated a unique knowledge and an understanding on the
part of the mysterious assassin. The House of Nihonto was a very
respectable establishment, catering as it did to some of Japan’s
finest and most influential citizens. It was also one of the few places
that was regarded as ”neutral ground“ by the various families of
the Yakuza, which were often in competition. It would be
unthinkable for any acts of hostility to occur here. It would be
regarded as a desecration.
Just the same, Takeo had insisted on their not taking any
chances. Kobayashi remained in the car while Shiro and Takeo got
out and walked across to the entrance of the shop. The doors of the
car behind them opened and four men got out. Two of them
followed Takeo and Shiro into the shop, while the other two
remained on the sidewalk, close by Kobayashi’s car, scanning the
street around them alertly.
The small shop was almost empty when Takeo, Shiro, and the
two men entered. There were glass display cabinets to the left and
in front of them, as well as one in the center of the shop,
square-shaped and about waist high. They held a glittering array of
steel, not common cutlery, but exquisitely crafted custom knives of
every size, shape, and description. There were ceremonial seppuku
knives and fighting tantos, as well as variations on the traditional