thousand years had passed since Merlin fell victim to the
enchantment of Morgan Le Fay and mankind had learned nothing.
And so Ambrosius had stormed throughout the world like the Four
Horsemen of the Apocalypse rolled into one, selecting men he could
control—as he had once selected Arthur, though he had learned
from his mistakes and he carefully avoided all clay-footed
idealists—and reuniting governments, propping up their collapsed
economies, supporting the technology of the pre-Collapse days with
the reborn magic of the Second Thaumaturgic Age. And anyone
who tried to stop him… simply disappeared.
Yet Kanno knew what had become of them. What happened to
their life energies, eh, Ambrosius? What kept you going all those
years, living so far beyond any normal human lifespan? What gave
you such power?
Necromancy. It was the obvious answer, of course. It was the one
truth that no one ever dared to speak out loud. It was like pointing
out the emperor’s new clothes. Oh, warlocks whispered it among
themselves, but even men, they chose to cloak it in mystical,
sentimental hero-worship. Merlin had done only what he had to do,
what his fate had demanded of him. He had shouldered the heavy
burden of his sins to save mankind, as if he were some sort of
Christ figure. And during his lifetime, he had indeed been treated
as if he were the Second Coming.
ft was not for nothing, Kanno thought, that Ambrosius had
instituted the proscriptions against necromancy. The reasons were
twofold. First, it fit in with society’s long-standing proscriptions
against the taking of human life, and in following that old,
humanistic tradition, Merlin had reinforced his status as a
benevolent lawgiver. And second, it insured that once the
knowledge he had spread was assimilated by the society of the
Second Thaumaturgic Age, no adept would ever attain the level of
his power. Ambrosius was no fool.
But Ambrosius was gone now. Zorin hardly ever left his country.
Tao Tzu was a recluse. And Yohaku… well, Kanno had already
proven himself the master of the aptly named “empty space.”
He suddenly became aware that the tapping had stopped. He had
lulled himself with the music of the shakuhachi, retreating deep