22 Since I can’t find any more graceful place to stick it in, let me invite you, with this line as exemplar, to see another cool formal horizon-expansion Mr. Markson effects in WM—the mode of presentation is less “stream of consciousness” than “stream of conscious utterance”; Markson’s technique here shares the associative qualities of Joycean S.O.C. but differs in being “directed”: at what or whom it’s directed becomes the novel’s implicit, or anti-, plot, & accounts for a “narrative movement” that’s less linear or even circular than spiral.