EQUINOX
071
It was, by Grandmother’s calculations, the morning of the spring equinox. The equinox brought change, not merely the change of season, but a perceptible alteration in the demeanor of the forest. She cocked her head, gazing into the murk of Blackveil at nothing, sensing the forest had turned its attention elsewhere. It was a subtle feeling, like a ripple on a still lake. What had caught its interest?
Something unrelated nagged at her, too, like an itch. It emanated from the north, near the wall, and she wondered what the Sacoridians were up to. The disturbance in the etherea came to her like an inaudible whisper and she could not name it.
Grandmother was concerned. Ripples could turn to storm waves, and whispers—well, whispers were insidious, dangerous.
It was Sarat’s inconsolable crying that brought her back to the present. They’d found yet another pile of fresh entrails that had been dumped in their path. Min rubbed Sarat’s back in an effort to calm her. The men looked on unsure and uneasy. Lala, as always, was unafraid. She squatted beside the entrails and probed them with a stick.
“It’s ... it’s a curse,” Sarat said between sobs. “Someone is cursing us.”
Grandmother did not think so. The first pile had been left outside their cave, a great heap of innards that must have come from more than one creature. Days later they’d found another fresh pile in the center of the road they followed, Way of the Moon. This was the third they’d encountered, pink and bloody and glossy in the damp of the forest environs.
“I think,” Grandmother said, “these are offerings.”
“Offerings?” Cole asked in surprise.
“Yes. We have been watched since not long after we entered Way of the Moon.”
Her people darted anxious looks into the forest around them and huddled a little closer together. Lala, though, remained unconcerned, winding a length of intestine around her stick.
“Thought so,” Deglin said with a darkening expression. “I thought we were being followed.”
“It’ll be our guts on the road next!” Sarat wailed.
“I do not think we need to fear the Watchers,” Grandmother replied, hoping her calm, steady voice would prevent Sarat from lapsing into outright hysterics. Her people were correct to fear the forest, but she could not allow that fear to overcome them. “I believe the offerings to be a sign of respect from those who watch. They are primitive creatures with a certain amount of intelligence, and they find power in such things. They are honoring us.”
“Or warning us,” Deglin rumbled.
“I think not,” Grandmother said, “but it may be we have been rude, not acknowledging the gifts as we should. Even primitive creatures expect some acknowledgment in return.”
She thought it over for some moments, ignoring Sarat’s sobbing and the terrible damp that made her old bones ache. She still wasn’t entirely recovered from the spider bite and every day they trudged along Way of the Moon was torture to her body. The men carried her pack, and Lala took up the basket of yarn to relieve her of even that minor burden. Every step confirmed Grandmother’s growing conviction that she would never again walk in the world outside. Only her love of the empire and her people kept her setting one foot in front of the other, as well as her desire to please God, who commanded her to awaken the Sleepers. She would not rest until she accomplished her task.
As she gazed at the entrails at her feet, she realized they presented an opportunity, an opportunity to not only impress the Watchers, but to use the innate potency of their gift for her own purposes. Using the blood and organs of what once had been living creatures always enhanced the art. Necromancy, some called it, as if it were a bad thing. When cast appropriately, necromantic art proved particularly powerful.
Human remains and blood worked best, but the gift from the Watchers should serve well enough. She wondered how the infusion of the forest’s etherea on these remains would affect the outcome of her spell. It could prove risky, but this whole endeavor was full of risks. What was one more? The possible benefits outweighed the danger.
“I need a good hot fire,” she announced.
Her retainers glanced uncertainly at one another.
“We gonna eat that?” Griz asked, pointing at the entrails.
Grandmother smiled at his expression of distaste. “No, my son. We’re going to burn it. That is why I need a hot fire. Hot and big.” She then knelt down beside Lala. “Child, I would like you to help me.”
Lala had picked out a carrion beetle from the pile, a nasty, large thing with pincers, and dropped it to pay close attention to her grandmother. Grandmother knew that if they did not do something with the entrails soon, larger and nastier creatures would arrive, attracted by the scent of an easy meal.
“Would you like to make the fire pretty?” Grandmother asked.
Lala nodded.
“Good. You know the knots. You will make the fire pretty to impress the Watchers.”
Lala nodded again looking very serious and determined. The pair of them picked through the yarn basket for the skeins they wanted.
It was not easy building a bonfire in that wet place. Much of the dead and fallen wood they tried to collect crumbled in their hands from decay, and it harbored stinging insects. Eventually they assembled enough wood to create a good-sized mound and the men took on the unpleasant task of placing the entrails atop it.
Deglin was an adept fire maker, but the wet stuff allowed only a few pitiful smoldering flames. Grandmother needed something far more impressive and hot, so after warning the others to stand clear in case the forest warped her spell, she cast a clump of knotted yarn into the flames.
The fire surged up the mound of wood in an inferno so intense that she had to retreat several steps. The forest seemed to bend away from the blaze in dismay, and there was much scurrying and rattling of branches and underbrush as creatures fled the area. The entrails snapped and popped as they burned in the fire.
Grandmother laughed. She’d wanted a hot fire and she got one. It would certainly make an impression on the Watchers, and they would not doubt her power. She gestured to Lala to add her knots.
“Go carefully, child, do not burn yourself.”
Lala approached the fire without fear and tossed her knots into it. Immediately color saturated the flames—cool blues and purples, verdant green, angry red. Shapes formed among the individual flames, people and animals. Grandmother saw a pony and she thought Lala must miss the one she had to abandon on the other side of the wall. Sparks turned to birds that flew into the canopy. A butterfly flittered over Grandmother’s head.
Grandmother was in awe for it was beyond her expectations. “My dear little child,” she murmured. “You are a true artist.” She hugged Lala and received a rare smile in return. When she called Lala a “true artist,” she did not mean one who was a master of aesthetics, though that element was certainly present in her granddaughter’s creations, but rather one who was gifted with the ability to shape etherea. Grandmother would have to carefully watch over the girl’s development.
Now, however, she must take advantage of the fire herself. She needed to check on Birch. She cast one of his fingernail clippings, wrapped in knotted yarn, into the flames. A vision blossomed in the roiling blaze of a small settlement in a clearing of the forest—not Blackveil, but the living green forest of the north. The rank smoke of the bonfire was replaced by the more pleasant scent of smoke that issued from chimneys. Birds awakened to the new spring chattered and called in the trees. Through Birch’s eyes, she peered from the concealment of the woods at the quiet settlement. A man chopped wood, while another harnessed a pair of oxen for the day’s work. A young girl helped a woman scrub laundry in a washbasin.
Birch’s gaze swept away from the settlement to his side and behind him. Other men, with weapons drawn, waited, hidden just as he was. The etherea allowed Grandmother to delve deeper into Birch’s mind and she learned that this was a training mission for his soldiers, that they were to take no prisoners. The point was to teach them not to pity the enemy, without regard for age or gender.
The settlement was located on Sacoridia’s northern boundary and was therefore largely unprotected and certainly no threat to Second Empire. Birch, however, wanted his soldiers to taste blood, to become initiated in the kill of battle before they had to face stronger, more seasoned opponents.
It was a good strategy, she thought, so long as it did not bring the wrath of King Zachary upon them prematurely, but she sensed Birch’s confidence that he and his soldiers would slip away into hiding long before the king even learned of the attack.
Birch gestured to his soldiers and they moved forward, ghosting between the trees, over patches of snow that clung to forest shadows, and they surged into the clearing with blades ready to strike down the unsuspecting settlers.
The battle cry of the soldiers was greeted by the screams and shouts of the enemy. The man chopping wood was the first to die, and a torch was set to his cottage. Grandmother observed the action as Birch did. He held back, allowing his subordinate officers to lead the attack. Some soldiers did to the women and girls as soldiers had always done while their menfolk were forced to watch. Birch did not stop them. When they finished, the women and men were slaughtered.
Grandmother watched dispassionately. Ravaging the enemy’s women was a way to further defeat those who would take up arms, and she sensed from Birch that he planned to somehow make this obvious by leaving a “message” for the king.
When she saw that the settlers had been slain to the smallest child and all their buildings set afire, she felt comfortable that Birch had everything well in hand. She decided to leave him and gaze elsewhere. She tossed another length of yarn into the fire, and the image of the settlement burned away from her vision.
A new vision did not come to her. She saw only the dance of fire, but she heard a thread of music, beautiful music, just above the roar of flames.
What’s this? she wondered.
She closed her eyes and the music flowed through her, joyful, serene, led by a crystalline voice. A haunting chorus echoed the singer, accompanied by the distant rhythm of hammers on stone, a sound of endurance and strength ...
It was, she realized, the whisper she’d sensed in the etherea at the wall. Grandmother snapped her eyes open before she could be sucked in any farther. “No,” she murmured.
Min touched her arm. “Grandmother? What is it? Are you well?”
Grandmother took Min’s hand, welcoming that human touch, the support.
“I am well,” she said, “but things at the wall trouble me.”
The wall was strengthening. Someone’s voice, a voice that could cultivate the art, shape etherea, was leading the wall guardians in song. Who could it be? Who still walked the Earth that could do such a thing?
The who did not matter. The result did. If the Sacoridians repaired the wall before the Sleepers were awakened and the forest arose, then all her efforts and hopes for Second Empire would fail. She would fail God Himself.
She’d made a critical mistake. She should not have entered the forest without the book of Theanduris Silverwood in her hands. Was it possible her people had failed to acquire it and the Sacoridians were now using it to mend the wall? She could not tell by observing through Birch’s eyes—he was busy with his own mission.
She should have waited for the book, but God had clearly told her to awaken the Sleepers. Perhaps He had His own plan, but if He did, it was not obvious to her.
Grandmother sighed and clung to Min. Her body shook with the effort she’d already expended seeking visions. To her surprise, the fire had burned down considerably, but Lala’s art still colored the flames.
“I must rest now,” Grandmother told the others.
As Min helped her to a blanket spread on the ground, she realized what was done was done. If the Sacoridians had obtained the Silverwood book and someone gifted with the art was singing the wall to strength, then there was only one thing she could do to prevent the mending of the wall: destroy the singer.
She eased down onto the blanket with Min’s assistance, already planning on how she might accomplish the task.
Green Rider #04 - Blackveil
titlepage.xhtml
.html_split_000
.html_split_001
.html_split_002
.html_split_003
.html_split_004
.html_split_005
.html_split_006
.html_split_007
.html_split_008
.html_split_009
.html_split_010
.html_split_011
.html_split_012
.html_split_013
.html_split_014
.html_split_015
.html_split_016
.html_split_017
.html_split_018
.html_split_019
.html_split_020
.html_split_021
.html_split_022
.html_split_023
.html_split_024
.html_split_025
.html_split_026
.html_split_027
.html_split_028
.html_split_029
.html_split_030
.html_split_031
.html_split_032
.html_split_033
.html_split_034
.html_split_035
.html_split_036
.html_split_037
.html_split_038
.html_split_039
.html_split_040
.html_split_041
.html_split_042
.html_split_043
.html_split_044
.html_split_045
.html_split_046
.html_split_047
.html_split_048
.html_split_049
.html_split_050
.html_split_051
.html_split_052
.html_split_053
.html_split_054
.html_split_055
.html_split_056
.html_split_057
.html_split_058
.html_split_059
.html_split_060
.html_split_061
.html_split_062
.html_split_063
.html_split_064
.html_split_065
.html_split_066
.html_split_067
.html_split_068
.html_split_069
.html_split_070
.html_split_071
.html_split_072
.html_split_073
.html_split_074
.html_split_075
.html_split_076
.html_split_077
.html_split_078
.html_split_079
.html_split_080
.html_split_081
.html_split_082
.html_split_083
.html_split_084
.html_split_085
.html_split_086
.html_split_087
.html_split_088
.html_split_089
.html_split_090
.html_split_091
.html_split_092
.html_split_093
.html_split_094
.html_split_095
.html_split_096
.html_split_097
.html_split_098
.html_split_099
.html_split_100
.html_split_101
.html_split_102
.html_split_103
.html_split_104
.html_split_105
.html_split_106
.html_split_107
.html_split_108
.html_split_109
.html_split_110
.html_split_111
.html_split_112
.html_split_113
.html_split_114
.html_split_115
.html_split_116
.html_split_117
.html_split_118
.html_split_119