Hap is made an offer he just can't refuse - proxying memories. This is illegal in bold with flashing lights. Cops don't want criminals who can pass lie detector tests. Before he knows what's happening, Hap is locked in a nightmare that threatens to tear his mind and his life apart.
A disease of unparalleled destructive force has sprung up almost simultaneously in every corner of the globe, all but destroying the human race. One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.
About the Author
George Rippey Stewart (May 31, 1895 – August 22, 1980) was an American toponymist, a novelist, and a professor of English at the University of California, Berkeley. He is best known for his only science fiction novel Earth Abides (1949), a post-apocalyptic novel, for which he won the first International Fantasy Award in 1951. It was dramatized on radio's Escape and inspired Stephen King's The Stand.
First published in 1973, Frank Herbert's vivid imagination and brilliant view of nature and ecology have never been more evident than in this classic of science fiction.America is a police state, and it is about to be threatened by the most hellish enemy in the world: insects.When the Agency discovered that Dr Hellstrom's Project 40 was a cover for a secret laboratory, a special team of agents was immediately dispatched to discover its true purpose and its weaknesses - it could not be allowed to continue. What they discovered was a nightmare more horrific and hideous than even their paranoid government minds could devise.
Red Schuhart is a stalker, one of those strange misfits who are compelled by some unknown force to venture illegally into the Zone and, in spite of the extreme danger, collect the mysterious artefacts that the alien visitors left scattered around. His life is dominated by the Zone and the thriving black market in the alien products. Even the nature of his daughter has been determined by the Zone. And it is for her that Red makes his last, tragic foray into the hazardous and hostile depths.
Peter Sinclair is tormented by bereavement and failure. In an attempt to conjure some meaning from his life, he embarks on an autobiography, but he finds himself writing the story of another man in another, imagined, world, whose insidious attraction draws him even further in . . . THE AFFIRMATION is at once an original thriller and a haunting study of schizophrenia; it has a compulsive, dream-like quality.
Ursula K. Le Guin is one of science fiction's greatest writers. She is also an acclaimed author of powerful and perceptive nonfiction, fantasy, and literary fiction. She has received many honors, including six Nebula and five Hugo Awards, the National Book Award, the Pushcart Prize, the Newbery, the Pilgrim, the Tiptree, and citations by the American Library Association. She has written over a dozen highly regarded novels and story collections. Her SF masterworks are The Left Hand of Darkness (1969), The Dispossessed (1974), and The Lathe of Heaven (1971).
George Orr has dreams that come true--dreams that change reality. He dreams that the aunt who is sexually harassing him is killed in a car crash, and wakes to find that she died in a wreck six weeks ago, in another part of the country. But a far darker dream drives George into the care of a psychotherapist--a dream researcher who doesn't share George's ambivalence about altering reality.
The Lathe of Heaven is set in the sort of worlds that one would associate with Philip K. Dick, but Ms. Le Guin's treatment of the material, her plot and characterization and concerns, are more akin to the humanistic, ethically engaged, psychologically nuanced fiction of Theodore Sturgeon. The Lathe of Heaven is an insightful and chilling examination of total power, of war and injustice and other age-old problems, of changing the world, of playing God. --Cynthia Ward
"When I read The Lathe of Heaven as a young man, my mind was boggled; now when I read it, more than twenty-five years later, it breaks my heart. Only a great work of literature can bridge - so thrillingly - that impossible span." - Michael Chabon
"A rare and powerful synthesis of poetry and science, reason and emotion." -- The New York Times
"Gracefully developed...extremely inventive.... What science fiction is supposed to do." -- Newsweek
"Profound. Beautifully wrought...[Le Guin's] perceptions of such matters as geopolitics, race, socialized medicine, and the patient-shrink relationship are razor sharp and more than a little cutting." -- National Review