9
Friday, August 26, 1977
TAT-TAT-TAT-TAT-TAT-TAT . . Since his experience with Brenda Mackim on Monday, Salsbury had been able to resist temptation. At any time he could have taken full control of another good-looking woman, could have raped her and erased all memory of the act from her mind. He took strength from the knowledge that the bitches were his for the asking. Whenever he could honestly conclude that the field test was a smashing success, and that no danger of discovery existed, he would screw every one of them that he wanted. The bitches. Animals. Little animals. Dozens of them. All of them. Because he knew the future held an almost endless orgy for him, be was able to cop; if only temporarily, with his desire.
He went from house to house, using the keylock code phrase, interviewing his subjects, observing and testing. Denying himself. Working hard. Doing his job.
So strict with himself… He was proud of his will power.
This morning his will power shattered. For the past four nights, his sleep had been disturbed by grotesque dreams that featured his mother and Miriam and sudden violence and blood and an eerie, indescribable atmosphere of perverted sex. When he came awake this morning, shouting and flailing at the bedclothes, he thought of Emma Thorpdeep cleavage in an orange sweaterand she seemed to him like an antidote for the poisons that had churned through him while he slept he had to have her, was going to have her, today, soon, and to hell with self-denial.
The smooth stream of power in him was again transformed into a rhythmic, alternating current, crackling across countless arcs, a hundred million synapses. His thoughts ricocheted with great energy from one subject to another, submachine-gun thoughts: tat-tat-tat-tat-tat-tat-tat At 7:45 he left Pauline Vickers rooming house and went to the cafe on the square.
The sky was cloudy, the air humid.
At 8:25 he finished breakfast and left the cafe.
At 8:40 he reached the Thorps place, the Last house on Union Road, next to the river.
He rang the doorbell twice.
The chief of police himself answered. He hadnt gone to work yet. Good.
Wonderful.
Salsbury said, I am the key.
I am the lock.
Let me in.
Bob Thorp stepped out of his way, let him by, then closed the door after him.
Is your wife here? Yes.
Your son?
Hes here too.
Anyone else?
Just you and me. Your sons name? Jeremy.
Where are they? In the kitchen.
Take me to them. Thorp hesitated.
Take me to them!
They went along a narrow but brightly papered hallway.
The kitchen was modem and stylish. Mediterranean cupboards and fixtures.
Coppertone refrigerator and upright freezer. A microwave oven. A television set was suspended from the
ceiling in one corner and angled toward the big round table by the window.
Jeremy was at the table, eating eggs and toast, facing the hall. To the boys right, Emma sat with one elbow on the table, drinking a glass of orange juice.
She was wearing a blue, floor-length corduroy housecoat. Her hair was as golden and full as he remembered it. As she turned to ask her husband who had rung the bell, he saw that her lovely face was still soft with sleepand for some reason that aroused him.
She said, Bob? Whos this?
Salsbury said, I am the key.
Two voices responded.
At 8:55, making the weekly trip into town to lay in a fresh supply of perishables, Paul Annendale braked at the end of the gravel road, looked both ways, then turned left Onto Main Street.
From the back seat Mark said, Dont take me all the way to Sams place. Let me out at the square.
Looking in the rearview mirror, Paul said, Where are you going?
Mark patted the large canary cage that stood on the seat beside him. The squirrel danced about and chattered. I want to take Buster to see Jeremy.
Swiveling around in her seat and looking back at her brother, Rya said, Why dont you admit that you dont go over to their house to see Jeremy? We all know youve got a crush on Emma.
Not so! Mark said in such a way that he proved absolutely that what she said was true.
Oh, Mark, she said exasperatingly.
Well, its a lie, Mark insisted. I dont have a crush on Emma. Im not some sappy kid.
Rya turned around again.
No fights, Paul said. Well leave Mark off at the square with Buster, and there will be no fights.
Salsbury said, Do you understand that, Bob?
I understand.
You will not speak unless spoken to. And you will not move from that chair unless I tell you to move.
I wont move.
But youll watch.
Ill watch.
Jeremy?
Ill watch too.
Watch what? Salsbury asked.
Watch youscrew her.
Dumb cop. Dumb kid.
He stood by the sink, leaned against the counter. Come here, Emma.
She got up. Came to him.
Take off your robe.
She took it off. She was wearing a yellow bra and yellow panties with three embroidered red flowers at the left hip.
Take off your bra.
Her breasts fell free. Heavy. Beautiful.
Jeremy, did you know your mother looked so nice?
The boy swallowed hard. No.
Thorps hands were on the table. They had curled into fists.
Relax, Bob. Youre going to enjoy this. Youre going to love it. You cant wait far me to have her.
Thorps hands opened. He leaned back in his chair. Touching her breasts, staring into her shimmering green eyes, Salsbury had a delightful idea. Marvelous.
Exciting. He said, Emma, I think this would be more enjoyable if you resisted me a bit. Not seriously, you understand. Not physically. Just keep asking me not to hurt you. And cry.
She stared at him.
Could you cry for me, Emma?
Im so scared.
Good! Excellent! I didnt tell you to relax, did I? You should be scared.
Damned scared. And obedient. Are you frightened enough to cry, Emma?
She shivered. Youre very firm. She said nothing. Cry for me. Bob..
He cant help you. He squeezed her breasts. My son . .
Hes watching. Its all right if he watches. Didnt he suck these when he was a baby?
Tears formed at the corners of her eyes.
Fine, he said. Oh, thats sweet.
Mark could only carry the squirrel and the cage for fifteen or twenty steps at a time. Then he had to put it down and shake his arms to get the pain out of them.
Cup your breasts with your hands. She did as she was told.
She wept.
Pull on the nipples.
Dont make me do this.
Come on, little animal.
At first, upset by all the jerking and shaking and swinging of his cage, Buster ran in tight little circles and squealed like an injured rabbit.
You sound like a rabbit, Mark told him during one of the rest stops.
Buster squealed, unconcerned with his image.
You should be ashamed of yourself. Youre not a dumb bunny. Youre a squirrel.
In front of Edisons store, as he was closing the car door, Paul Saw something gleam on the back seat. Whats that?
Rya was still in the car, undoing her safety belt. Whats what?
On the back seat. Its the key to Busters cage.
Rya squirmed into the back seat. Id better take it to him.
He wont need it, Paul said. Just dont lose it.
No, she said. Id better take it to him. Hell want to let Buster out so he can show off for Emma.
Who are youCupid?
She grinned at him.
Unzip my trousers.
I dont want to.
Do it!
She did.
Enjoying yourself, Bob?
Yes.
He laughed. Dumb cop.
By the time he reached the edge of the Thorp property, Mark had found a better way to grip the cage. The new method didnt strain his arms so much, and he didnt have to stop every few yards to rest.
Buster had become so upset by the erratic movement of his pen that he had stopped squealing. He was gripping the bars with all four feet, hanging on the side of the cage, very stiU and quiet, frozen as if he were in the woods and had just seen a predator creeping through the brush.
Theyll be eating breakfast, Mark said. Well go around to the back door.
Squeeze it. She did.
Hot?
Yes.
Little animal.
Dont hurt me. Is it hard?
Yes. Crying.
Bend over.
Sobbing, shaking, begging him not to hurt her, she did as she had been told. Her face glistened with tears. She was almost hysterical. So beautiful…
Mark was passing the kitchen window when he heard the woman crying. He stopped and listened closely to the broken words, the pitiful pleas that were punctuated by long sobs. He knew at once that it was Emma.
The window was only two feet away, and it seemed to beckon him. He couldnt resist. He went to it.
The curtains were drawn shut, but there was a narrow gap between them. He pressed his face to the windowpane.