PROLOGUE

The cycle of the Earth (indeed, the universe, if the truth had been known) was nearing its end and the human race had at last ceased to take itself seriously. Having inherited millennia of scientific and technological knowledge it used this knowledge to indulge its richest fantasies to play immense imaginative games, to relax and create beautiful monstrosities. After all, there was little else left to do. An earlier age might have been horrified at what it would have judged a waste of resources, an appalling extravagance in the uses to which materials and energies were put. An earlier age would have seen the inhabitants of this world as "decadent" or "amoral," to say the least. But even if these inhabitants were not conscious of the fact that they lived at the end of time some unconscious knowledge informed their attitudes and made them lose interest in ideals, creeds, philosophies and the conflicts to which such things give rise. They found pleasure in paradox, aesthetics and baroque wit; if they had a philosophy, then it was a philosophy of taste, of sensuality. Most of the old emotions had atrophied, meant little to them.

They had rivalry without jealousy, affection without lust, malice without rage, kindness without pity. Their schemes — often grandiose and perverse — were pursued without obsession and left uncompleted without regret, for death was rare and life might cease only when Earth herself died.

Yet this particular story is about an obsession which overtook one of these people, much to his own astonishment. And because he was overtaken by an obsession that is why we have a story to tell. It is probably the last story in the annals of the human race and, as it happens, it is not dissimilar to that which many believe is the first.

What follows, then, is the story of Jherek Carnelian, who did not know the meaning of morality, and Mrs. Amelia Underwood, who knew everything about it.