CHAPTER 4 - THE QUESTION MAN

THE Hospital was the control nexus of a world. It was not a large world, and the settled region totalled a mere 20,000 square miles; but that region needed a lot of control. It also required considerable electricity, enormous quantities of water to be moved up from the Long Fall River, and a deal of medical attention. The Hospital was big and complex and diversified. Two fifty-six-man spacecraft were its east and west corners. Since the spacecraft were hollow cylinders with the airlocks opening to the inside (to the Attic, as that inner space had been called when the rotating ships were between stars and the ship's axis was Up), the corridors in that region were twisted and mazelike and hard to navigate.

So the young man in Jesus Pietro's office had no idea where he was. Even if he'd managed to leave the office unguarded, he'd have been hopelessly lost. And he knew it. That was all to the good.

"You were on the dead-man switch," said Jesus Pietro.

The man nodded. His sandy hair was cut in the old Belter style, copied from the even older Mohawk. There were shadows under his eyes as if from lack of sleep, and the lie was borne out by a slump of utter depression, though he had been sleeping since his capture in Harry Kane's basement.

"You funked it," Jesus Pietro accused. "You arranged to fall across the switch so that it wouldn't go off."

The man looked up. Naked rage was in his face. He made no move, for there was nothing he could do.

"Don't be ashamed. The dead-man switch is an old trick. It almost never gets used in practice. The man in charge is too likely to change his mind at the last second. It's a--'

"I fully expected to wake up dead!" the man shouted.

"--natural reaction. It takes a psychotic to commit suicide. No, don't tell me all about it. I'm not interested. I want to hear about the car in your basement."

"You think I'm a coward, do you?"

"That's an ugly word."

"I stole that car."

"Did you?" The skeptical tone was genuine. Jesus Pietro did not believe him. "Then perhaps you can tell me why the theft went unnoticed."

The man told him. He talked eagerly, demanding that Jesus Pietro recognize his courage. Why not? There was nobody left to betray. He would live as long as Jesus Pietro Castro was interested in him, and for three minutes longer. The organ bank operating room was three minutes walk away. Jesus Pietro listened politely. Yes, he remembered the car that had tauntingly circled the Plateau for five days. The young crew owner had given him hell for letting it happen. The man had even suggested--demanded--that one of Castro's men drop on the car from above, climb into the cockpit, and bring it back. Jesus Pietro's patience had given out, and he had risked his life by politely offering to help the young man perform the feat.

"So we buried it at the same time we built the basement," the prisoner finished. "Then we let the house grow over it. We had great plans." He sagged into his former position of despair but went on talking, mumbling. "There were gun mounts. Bins for bombs. We stole a sonic stunner and mounted it in the rear window. Now nobody'll ever use them."

"The car was used."

"What?"

"This afternoon. Keller escaped us last night. He returned to Kane's home this morning, took the car and flew it nearly to the Hospital before we stopped him. The Mist Demons know what he thought he was doing."

"Great! 'The last flight of-We never got around to naming it. Our air force. Our glorious air force. Who did you say?"

"Keller. Matthew Leigh Keller."

"I don't know him. What would he be doing with my car?"

"Don't play games. You are not protecting anyone. We drove him off the edge. Five ten, age twenty-one, hair brown, eyes blue--"

"I tell you I never met him."

"Good-by." Jesus Pietro pushed a button under his desk. The door opened.

"Wait a minute. Now, wait--"

Lying, Jesus Pietro thought, after the man was gone. Probably lied about the car too. Somewhere in the vivarium the man who really took the car waited to be questioned. If it was stolen. It could equally well have been supplied by a crew member, by Jesus Pietro's hypothetical traitor.

He had often wondered why the crew would not supply him with truth drugs. They would have been easy to manufacture from instructions in the ship's libraries. Millard Parlette, in a mellow mood, had once tried to explain. "We own their bodies," he had said. "We take them apart on the slightest pretext; and if they manage to die a natural death, we get them anyway, what we can save. Aren't the poor bastards at least entitled to the privacy of their own minds?"

It seemed a peculiar bleeding-heart attitude, coming from a man whose very life depended on the organ banks. But others apparently felt the same. If Jesus Pietro wanted his questions answered, he must depend on his own empirical brand of psychology.

Polly Tournquist. Age: twenty. Height: five one. Weight: ninety-five. She wore a crumpled party dress in the colonist style. In Jesus Pietro's eyes it did nothing for her. She was small and brown, and compared to most of the women Jesus Pietro met socially, muscular. They were work muscles, not tennis muscles. Traces of callus marred her hands. Her hair, worn straight back, had a slight natural curl to it but no trace of style.

Had she been raised as crew girls were raised, had she access to cosmetics available on Alpha Plateau, she would have known how to be beautiful. Then she wouldn't have been bad at all, once the callus left her hands and cosmetic treatment smoothed her skin. But, like most colonists, she had aged faster than a crew.

She was only a young colonist girl, like a thousand other young colonist girls Jesus Pietro had seen.

She bore his silent stare for a full minute before she snapped, "Well?"

"Well? You're Polly Tournquist, aren't you?"

"Of course."

"You had a handful of films on you when you were picked up last night. How did you get them?"

"I prefer not to say."

"Eventually I think you will. Meanwhile, what would you like to talk about?"

Polly looked bewildered. "Are you serious?"

"I am serious. I've interviewed six people today. The organ banks are full and the day is ending. I'm in no hurry. Do you know what those films of yours imply?"

She nodded warily. "I think so. Especially after the raid."

"Oh, you saw the point, did you?"

"It's clear you have no more use for the Sons of Earth. We've always been some danger to you--"

"You flatter yourselves."

"But you've never had a real try at wiping us out. Not till now. Because we serve as a recruiting center for your damned organ banks!"

"You amaze me. Did you know this when you joined?"

"I was fairly sure of it."

"Then why join?"

She spread her hands. "Why does anybody join? I couldn't stand the way things are now. Castro, what happens to your body when you die?"

"Cremated. I'm an old man."

"You're crew. They'd cremate you anyway. Only colonists go into the banks."

"I'm half crew," said Jesus Pietro. His desire to talk was genuine, and there was no need for reticence with a girl who was, to all intents and purposes, dead. "When my--you might say--pseudo-father reached the age of seventy, he was old enough to need injections of testosterone. Except that he chose a different way to get them."

The girl looked bewildered, then horrified.

"I see you understand. Shortly afterward his wife, my mother, became pregnant. I must admit they raised me almost as a crew. I love them both. I don't know who my father was. He may have been a rebel, or a thief."

"To you there's no difference, I suppose." The girl's tone was savage.

"No. Back to the Sons of Earth," Jesus Pietro said briskly. "You're quite right. We don't need them anymore, not as a recruiting center nor for any other purpose. Yours was the biggest rebel group on Mount Lookitthat. We'll take the others as they come."

"I don't understand. The organ banks are obsolete now, aren't they? Why not publish the news? There'd be a worldwide celebration!"

"That's just why we don't broadcast the news. Your kind of sloppy thinking! No, the organ banks are not obsolete. It's just that we'll need a smaller supply of raw material. And as a means of punishment for crimes the banks are as important as ever!"

"You son of a bitch," said Polly. Her color was high, and her voice held an icy, half-controlled fury. "So we might get uppity if we thought we were being killed to no purpose!"

"You will not be dying to no purpose," Jesus Pietro explained patiently. "That has not been necessary since the first kidney transplant between identical twins. It has not been necessary since Landsteiner classified the primary blood types in 1900. What do you know about the car in Kane's basement?"

"I prefer not to say."

"You're being very difficult."

The girl smiled for the first time. "I've heard that."

His reaction took Jesus Pietro by surprise. A flash of admiration, followed by a hot flood of lust. Suddenly the bedraggled colonist girl was the only girl in the universe. Jesus Pietro held his face like frozen stone while the flood receded. It took several seconds.

"What about Matthew Leigh Keller?"

"Who? I mean--"

"You prefer not to say. Miss, Tournquist, you probably know that there are no truth drugs on this world. In the ships' libraries are instructions for making scopolamine, but no crew will authorize me to use them. Hence I have developed different methods." 'He saw her stiffen. "No, no. There will be no pain. They'd put me in the organ banks if I used torture. I'm only going to give you a nice rest."

"I think I know what you mean. Castro, what are you made of? You're half colonist yourself. What makes you side with the crew?"

"There must be law and order, Miss Tournquist. On all of Mount Lookitthat there is only one force for law and order, and that force is the crew." Jesus Pietro pushed the call button.

He did not relax until she was gone, and then he found himself shaken. Had she noticed that flash of desire? What an embarrassing thing to happen! But she must have assumed he was only angry. Of course she had.

Polly was in the maze of corridors when she suddenly remembered Matt Keller. Her regal dignity, assumed for the benefit of the pair of Implementation police who were her escorts, softened in thought. Why would Jesus Pietro be interested in Matt? He wasn't even a member. Did it mean that he had escaped? Odd, about that night. She'd liked Matt. He'd interested her. And then, suddenly ... It must have looked to him as if she'd brushed him off. Well, it didn't matter now. But Implementation should have turned him loose. He was nothing but a deadhead.

Castro. Why had he told her all that? Was it part of the coffin cure? Well, she'd hold out as long as possible. Let Castro worry about who might know the truth of Ramrobot #143. She had told nobody. But let him worry.

The girl looked about her in pleased wonder at the curving walls and ceiling with their peeled, discolored paint, at the spiral stairs, at the matted, withered brown rug which had been indoor grass. She watched the dust puff out from her falling feet, and she ran her hands over the coral walls where the paint had fallen away. Her new, brightly dyed falling-jumper seemed to glow in the gloom of the deserted house.

"It's very odd," she said. Her crewish accent was strange and lilting.

The man lifted an arm from around her waist to wave it about him. "They live just like this," he said in the same accent. "Just like this. You can see their houses from your car on the way to the lake."

Matt smiled as he watched them walk up the stairs. He had never seen a two-story coral house; the balloons were too hard to blow, and the second floor tended to sag unless you maintained two distinct pressures. Why didn't they come to Delta Plateau if they wanted to see how colonists lived?

But why should they? Surely their own lives were more interesting.

What strange people they were. It was hard to understand them, not only because of the lilt but because certain words meant the wrong things. Their faces were alien, with flared nostrils and high, prominent cheekbones.

Against the people Matt had known, they seemed fragile, undermuscled, but graceful and beautiful to the point where Matt wondered about the man's manhood. They walked as though they owned the world.

The deserted house had proved a disappointment. He'd thought all was lost when the crew couple came strolling in, pointing and staring as if they were in a museum. But with luck they would be up there for some time.

Matt moved very quietly from the darkness of a now doorless closet, picked up their picnic basket, and ran on tiptoe for the door. There was a place where he could hide, a place he should have thought of before.

He climbed over the low stone wall with the picnic basket in one hand. There was a three-foot granite lip on the void side. Matt settled himself cross-legged against the stone wall, with his head an inch below the top and his toes a foot from the forty-mile drop to hell. He opened the picnic basket.

There was more than enough for two. He ate it all, eggs and sandwiches and squeezebags of custard and a thermos of soup and a handful of olives. Afterward he kicked the basket and the scraps of plastic wrap into the void. His eyes followed them down.

Consider:

Anyone can see infinity by looking up on a clear night. But only on the small world of Mount Lookitthat can you see infinity by looking down.

No, it's not really infinity. Neither is the night sky, really. You can see a few nearby galaxies; but even if the universe turns out to be finite, you see a very little distance into it. Matt could see apparent infinity by looking straight down.

He could see the picnic basket falling. Smaller. Gone.

The plastic wrap. Fluttering down. Gone.

Then, nothing but the white mist.

On a far-distant day they would call the phenomenon Plateau trance. It was a form of autohypnosis well known to Plateau citizens of both social classes, differing from other forms only in that nearly anyone could fall into such a state by accident. In this respect Plateau trance compares to ancient, badly authenticated cases of "highway hypnosis" or to more recent studies of "the far look," a form of religious trance endemic to the Belt of Sol. The far look comes to a miner who spends too many minutes staring at a single star in the background of naked space. Plateau trance starts with a long, dreamy look down into the void mist.

For a good eight hours Matt had not had a chance to relax. He would not get a chance tonight, and he didn't want to dwell on that now. Here was his chance. He relaxed.

He came out of it with a niggling suspicion that time had passed. He was lying on his side, his face over the edge staring down into unfathomable darkness. It was night. And he felt wonderful.

Until he remembered.

He got up and climbed carefully over the wall. It would not do to slip, three feet from the edge, and he was often clumsy when he felt this nervous. Now his stomach seemed to have been replaced by a plastic demonstration model from a biology class. There was a jerkiness in his limbs.

He walked a little way from the wall and stopped. Which way was the Hospital?

Come now, he thought. This is ridiculous.

Well, there was a swelling hill to his left. Light glowed faintly along its rim. He'll try that.

The grass and the earth beneath it ended as he reached the top. Now there was stone beneath his bare feet, stone and rock dust untouched by three hundred years of the colony planting program. He stood at the crest of the hill looking down on the Hospital. It was half a mile away and blazed with light. Behind and to either side were other lights, the lights of houses, none within half a mile of the Hospital. Against their general glow he saw the black tongue of forest he'd noticed that morning.

In a direction not quite opposite to the dark, sprawling line of trees, a straighter line of light ran from the Hospital to a cluster of buildings at the perimeter of the bare region. A supply road.

He could reach the trees by moving along the edge of town. The trees would give him cover until he reached the wall--but it seemed a poor risk. Why would Implementation leave that one line of cover across a bare, flat protective field? That strip of forest must be loaded with detection equipment.

He started across the rock on his belly.

He stopped frequently. It was tiring, moving like this. Worse than that, what was he going to do when he got inside? The Hospital was big, and he knew nothing about the interior. The lighted windows bothered him. Didn't the Hospital ever sleep? The stars shone bright and cold. Each time he stopped to rest, the Hospital was a little closer.

So was the wall that surrounded it. It leaned outwards and on this side there was no break at all.

He was a hundred yards from the wall when he found the wire. There were big metal pegs to hold it off the ground, pegs a foot high and thirty yards apart, driven into the rock. The wire itself was bare coppery metal strung taut a few inches off the ground. Matt had not touched it. He crossed it very carefully, staying low but not touching the wire at any time.

Faintly there came the sound of alarm bells ringing inside the wall. Matt stopped where he was. Then he turned and was over the wire in one leap. When he hit the ground he didn't move. His eyes were closed tight. He felt the faint touch of numbness which meant a sonic beam. Evidently he was out of range. He risked a look behind him. Four searchlights hunted him across the bare rock. The wall was lousy with police.

He turned away, afraid they'd see his face shining. There were whirring sounds. Mercy-bullets falling all around him, slivers of glassy chemical which dissolved in blood. They weren't as accurate as lead pellets, but one must find him soon...

A light pinned him. And another, and a third.

From the wall came a voice. "Cease fire." The whirr of anesthetic slivers ended. The voice spoke again, bored, authoritative, tremendously amplified. "Stand up, you. You may as well walk, but we'll carry you if we have to."

Matt wanted to burrow like a rabbit. But even a rabbit wouldn't have made headway in the pitted, dusty stone. He stood up with his hands in the air.

There was no sound, no motion.

One of the lights swung away from him. Then the others. They moved in random arcs for a while, crossing the protective-rock field with swooping blobs of light. Then, one by one, they went out.

The amplified voice spoke again. It sounded faintly puzzled. "What set off the alarms?"

Another voice, barely audible in the quiet night. "Don't know, sir."

"Maybe a rabbit. All right, break it up."

The figures on the wall disappeared. Matt was standing all alone with his hands in the air. After a while he put them down and walked away.

The man was tall and thin, with a long face and a short mouth and no expression. His Implementation-police uniform could not have been cleaner nor better pressed if he'd donned it a moment ago for the first time. He sat beside the door, bored and used to it, a man who had spent half his life sitting and waiting.

Every fifteen minutes or so he would get up to look at the coffin.

Seemingly the coffin had been built for Gilgamesh or Paul Bunyan. It was oak, at least on the outside. The eight gauge dials along one edge appeared to have been pirated from somewhere else and attached to the coffin by a carpenter of only moderate skill. The, long-headed man would stand up, go to the coffin, stand over the dials for a minute. Something could go wrong, after all. Then he would have to act in a hurry. But nothing ever did, and he would return to his chair and wait some more.

Problem:

Polly Tournquist's mind holds information you need. How to get at it?

The mind is the body. The body is the mind.

Drugs would interfere with her metabolism. They might harm her. You'd risk it, but you're not allowed drugs anyway.

Torture? You could damage a few fingernails, bend a few bones. But it wouldn't stop there. Pain affects the adrenal glands, and the adrenal glands affect everything. Sustained pain can have a savage, even permanent, effect on a body needed for medical supplies. Besides, torture is unethical.

Friendly persuasion? You could offer her a deal. Her life, and resettlement in some other region of the Plateau, for anything you want to know. You'd like that, and the organ banks are full ... But she won't deal. You've seen them before. You can tell.

So you give her a nice rest.

Polly Tournquist was a soul alone in space. Less than that, for there was nothing around her that could have been identified as "space." No heat, no cold, no pressure, no light, no darkness, no hunger, no thirst, no sound.

She had tried to concentrate on the sound of her heartbeat, but even that had disappeared. It was too regular. Her mind had edited it out. Similarly with the darkness behind her closed, bandaged eyelids: the darkness was uniform, and she no longer sensed it. She could strain her muscles against the soft, swaddling bandages that bound her, but she sensed no result, for the slack was small fractions of an inch. Her mouth was partly open; she could neither open it further nor close it on the foam rubber mouthpiece. She could not bite her tongue, nor find it. In no way could she produce the sensation of pain.

The ineffable peace of the coffin cure wrapped her in its tender folds and carried her, screaming silently, into nothingness.

What happened?

He sat at the edge of the grass on the hill above the Hospital. His eyes were fixed on its blazing windows. His heart beat softly against his knee.

What happened? They had me. They had me!

He had walked away. Bewildered, helpless, beaten, he had waited for the magnified voice to shout its orders. And nothing had happened. It was as if they had forgotten him. He had walked away with the feel of death at his back, waiting for the numbness of a sonic stun-beam or the prick of a mercy-bullet or the roar of the officer's voice.

Gradually, against all reason, he had sensed that they were not going to come for him.

And then he ran.

His lungs had stopped their tortured laboring many minutes ago, but his brain still spun. Perhaps it would never stop. He had run until he collapsed, here at the top of the hill, but the fear that drove him was not the fear of the organ banks. He had fled from an impossible thing, from a universe without reason. How could he have walked away from that plain of death with no eye to watch him? It smacked of magic, and he was afraid.

Something had suspended the ordinary laws of the universe to save his life. He had never heard of anything that could do that ... except the Mist Demons. And the Mist Demons were a myth. They had told him so when he was old enough. The Mist Demons were a tale to frighten children, like the reverse of a Santa Claus. The old wives who found powerful beings in the mist beyond the edge of the world had followed a tradition older than history, perhaps as old as man. But nobody believed in the Mist Demons. They were like the Belt miners' Church of Finagle, whose prophet was Murphy. A half-bitter joke. Something to swear by.

They had me and they let me go. Why?

Could they have had a purpose? Was there some reason the Hospital should let a colonist sneak to its very walls, then let him go free?

Could the organ banks be full? But there must be someplace they could keep a prisoner until there was room.

But if they thought he was a crew! Yes, that was it! A human figure on Alpha plateau of course they'd assume he was crew. But so what? Surely someone would have come to question him.

Matt began pacing a tight circle at the top of the low hill. His head whirled. He'd walked to certain death and been turned loose. By whom? Why? And what did he do next? Go back and give them another chance? Walk to the Alpha-Beta Bridge and hope nobody would see him sneaking across? Fly down the cliff, vigorously flapping his arms?

The awful thing was that he didn't know it wouldn't work. Magic, magic. Hood had talked about magic.

No, he hadn't. He'd practically turned purple denying that magic was involved. He'd been talking about ... psychic powers. And Matt had been so involved in watching, Polly that he couldn't remember anything Hood had said.

It was very bad luck. Because this was his only out. He had to assume that he had a psychic power, though he had not the remotest idea what that implied. At least it put a name to what had happened.

"I've got a psychic power," Matt announced. His voice rang with queer precision in the quiet night.

Fine. So? If Hood had gone into detail on the nature of psychic powers, Matt couldn't remember. But he could fairly well drop the idea of flying down the Alpha-Beta cliff. Whatever else was true of man's unexplored mental powers, they must be consistent. Matt could remember the feeling that he wouldn't be noticed if he didn't want to be, he had never flown, nor even dreamed of flying.

He ought to talk to Hood.

But Hood was in the Hospital. He might be dead already.

Well ...

Matt had been eleven years old when Ghengis, or Dad, brought two charms home for gifts. They were model cars, just the right size for charm bracelets, and they glowed in the dark. Matt and Jeanne had loved them at sight and forever.

One night they had left the charms in a closet for several hours, thinking they would grow brighter when they "got used to the dark." When Jeanne opened the closet, they had lost all their glow.

Jeanne was near tears. Matt's reaction was different. If darkness robbed the charms of their powers ...

He hung them next to a light bulb for an hour. When he turned off the light, they glowed like little blue lamps.

A tide of small, loosely packed clouds was spreading across the stars. In all directions the town lights had gone out, all but the lights of the Hospital. The Plateau slept in a profound silence.

Well ... he'd tried to sneak into the Hospital. He'd been caught. But when he stood up in the glare of spotlights, they couldn't see him. The why of it was just as magical as before, but he thought he was beginning to see the how of it.

He'd have to risk it. Matt began to walk.

He'd never planned for it to go this far. If only he'd been stopped before it was too late. But it was too late, and he had the sense to know it.

Strictly speaking, he should have been wearing something bright. A blue shirt with a tangerine sweater, iridescent green pants, a scarlet cape with an S enclosed in a yellow triangle. And ... rimmed glasses? It had been a long time since grade school. Never mind; he'd have to go as he was.

A good thing he liked flamboyant gestures.

He skirted the edge of the bare region until he reached the houses. Presently he was walking through dark streets. The houses were fascinating and strange. He would have enjoyed seeing them by daylight. What manner of people lived in them? Colorful, idle, happy, eternally young and healthy. He would have liked to be one of them.

But he noticed a peculiar thing about the houses. Heterogeneous as they were in form, color, style, building material, they had one thing in common. Always they faced away from the Hospital.

As if the Hospital inspired them with fear. Or guilt.

There were lights ahead. Matt walked faster. He had been walking for half an hour now. Yes, there was the supply road, lit bright as day by two close-spaced lines of street lamps. A broken white line ran down the curving middle.

Matt stepped out to the white line and began following it toward the Hospital.

Again his shoulders were unnaturally rigid, as with the fear of death from behind. But the danger was all before him. The organ banks were the most humiliating imaginable form of death. Yet Matt feared something worse.

Men had been released from the Hospital to tell of their trials. Not many, but they could talk. Matt could guess a little of what waited for him.

They would see him, they would fire mercy-bullets into him, they would carry him on a stretcher into the Hospital. When he woke, he would be taken to his first and last interview with the dread Castro. The Head's burning eyes would look into his, and he would rumble, "Keller, eh? Yes, we had to take your uncle apart. Well, Keller? You walked up here like you thought you were a crew with an appointment. What did you think you were doing, Keller?"

And what was he going to say to that?