The Project Gutenberg EBook of The Torrents of Spring, by Ivan Turgenev

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Title: The Torrents of Spring

Author: Ivan Turgenev

Release Date: February, 2006 [EBook #9911] [This file was first posted on October 30, 2003]

Edition: 10

Language: English

Character set encoding: ISO-8859-1

*** START OF THE PROJECT GUTENBERG EBOOK, THE TORRENTS OF SPRING ***

E-text prepared by Keren Vergon, William Flis, and the Project Gutenberg Online Distributed Proofreading Team

THE TORRENTS OF SPRING

BY IVAN TURGENEV

Translated from the Russian

BY CONSTANCE GARNETT

1897

CONTENTS

THE TORRENTS OF SPRING

FIRST LOVE

MUMU

THE TORRENTS OF SPRING

'Years of gladness, Days of joy, Like the torrents of spring They hurried away.'

--From an Old Ballad.

... At two o'clock in the night he had gone back to his study. He had dismissed the servant after the candles were lighted, and throwing himself into a low chair by the hearth, he hid his face in both hands.

Never had he felt such weariness of body and of spirit. He had passed the whole evening in the company of charming ladies and cultivated men; some of the ladies were beautiful, almost all the men were distinguished by intellect or talent; he himself had talked with great success, even with brilliance ... and, for all that, never yet had the taedium vitae of which the Romans talked of old, the 'disgust for life,' taken hold of him with such irresistible, such suffocating force. Had he been a little younger, he would have cried with misery, weariness, and exasperation: a biting, burning bitterness, like the bitter of wormwood, filled his whole soul. A sort of clinging repugnance, a weight of loathing closed in upon him on all sides like a dark night of autumn; and he did not know how to get free from this darkness, this bitterness. Sleep it was useless to reckon upon; he knew he should not sleep.

He fell to thinking ... slowly, listlessly, wrathfully. He thought of the vanity, the uselessness, the vulgar falsity of all things human. All the stages of man's life passed in order before his mental gaze (he had himself lately reached his fifty-second year), and not one found grace in his eyes. Everywhere the same ever-lasting pouring of water into a sieve, the ever-lasting beating of the air, everywhere the same self-deception--half in good faith, half conscious--any toy to amuse the child, so long as it keeps him from crying. And then, all of a sudden, old age drops down like snow on the head, and with it the ever-growing, ever-gnawing, and devouring dread of death ... and the plunge into the abyss! Lucky indeed if life works out so to the end! May be, before the end, like rust on iron, sufferings, infirmities come.... He did not picture life's sea, as the poets depict it, covered with tempestuous waves; no, he thought of that sea as a smooth, untroubled surface, stagnant and transparent to its darkest depths. He himself sits in a little tottering boat, and down below in those dark oozy depths, like prodigious fishes, he can just make out the shapes of hideous monsters: all the ills of life, diseases, sorrows, madness, poverty, blindness.... He gazes, and behold, one of these monsters separates itself off from the darkness, rises higher and higher, stands out more and more distinct, more and more loathsomely distinct.... An instant yet, and the boat that bears him will be overturned! But behold, it grows dim again, it withdraws, sinks down to the bottom, and there it lies, faintly stirring in the slime.... But the fated day will come, and it will overturn the boat.

He shook his head, jumped up from his low chair, took two turns up and down the room, sat down to the writing-table, and opening one drawer after another, began to rummage among his papers, among old letters, mostly from women. He could not have said why he was doing it; he was not looking for anything--he simply wanted by some kind of external occupation to get away from the thoughts oppressing him. Opening several letters at random (in one of them there was a withered flower tied with a bit of faded ribbon), he merely shrugged his shoulders, and glancing at the hearth, he tossed them on one side, probably with the idea of burning all this useless rubbish. Hurriedly, thrusting his hands first into one, and then into another drawer, he suddenly opened his eyes wide, and slowly bringing out a little octagonal box of old-fashioned make, he slowly raised its lid. In the box, under two layers of cotton wool, yellow with age, was a little garnet cross.

For a few instants he looked in perplexity at this cross--suddenly he gave a faint cry.... Something between regret and delight was expressed in his features. Such an expression a man's face wears when he suddenly meets some one whom he has long lost sight of, whom he has at one time tenderly loved, and who suddenly springs up before his eyes, still the same, and utterly transformed by the years.

He got up, and going back to the hearth, he sat down again in the arm-chair, and again hid his face in his hands.... 'Why to-day? just to-day?' was his thought, and he remembered many things, long since past.

This is what he remembered....

But first I must mention his name, his father's name and his surname. He was called Dimitri Pavlovitch Sanin.

Here follows what he remembered.

I

It was the summer of 1840. Sanin was in his twenty-second year, and he was in Frankfort on his way home from Italy to Russia. He was a man of small property, but independent, almost without family ties. By the death of a distant relative, he had come into a few thousand roubles, and he had decided to spend this sum abroad before entering the service, before finally putting on the government yoke, without which he could not obtain a secure livelihood. Sanin had carried out this intention, and had fitted things in to such a nicety that on the day of his arrival in Frankfort he had only just enough money left to take him back to Petersburg. In the year 1840 there were few railroads in existence; tourists travelled by diligence. Sanin had taken a place in the 'bei-wagon'; but the diligence did not start till eleven o'clock in the evening. There was a great deal of time to be got through before then. Fortunately it was lovely weather, and Sanin after dining at a hotel, famous in those days, the White Swan, set off to stroll about the town. He went in to look at Danneker's Ariadne, which he did not much care for, visited the house of Goethe, of whose works he had, however, only read Werter, and that in the French translation. He walked along the bank of the Maine, and was bored as a well-conducted tourist should be; at last at six o'clock in the evening, tired, and with dusty boots, he found himself in one of the least remarkable streets in Frankfort. That street he was fated not to forget long, long after. On one of its few houses he saw a signboard: 'Giovanni Roselli, Italian confectionery,' was announced upon it. Sanin went into it to get a glass of lemonade; but in the shop, where, behind the modest counter, on the shelves of a stained cupboard, recalling a chemist's shop, stood a few bottles with gold labels, and as many glass jars of biscuits, chocolate cakes, and sweetmeats--in this room, there was not a soul; only a grey cat blinked and purred, sharpening its claws on a tall wicker chair near the window and a bright patch of colour was made in the evening sunlight, by a big ball of red wool lying on the floor beside a carved wooden basket turned upside down. A confused noise was audible in the next room. Sanin stood a moment, and making the bell on the door ring its loudest, he called, raising his voice, 'Is there no one here?' At that instant the door from an inner room was thrown open, and Sanin was struck dumb with amazement.

II

A young girl of nineteen ran impetuously into the shop, her dark curls hanging in disorder on her bare shoulders, her bare arms stretched out in front of her. Seeing Sanin, she rushed up to him at once, seized him by the hand, and pulled him after her, saying in a breathless voice, 'Quick, quick, here, save him!' Not through disinclination to obey, but simply from excess of amazement, Sanin did not at once follow the girl. He stood, as it were, rooted to the spot; he had never in his life seen such a beautiful creature. She turned towards him, and with such despair in her voice, in her eyes, in the gesture of her clenched hand, which was lifted with a spasmodic movement to her pale cheek, she articulated, 'Come, come!' that he at once darted after her to the open door.

In the room, into which he ran behind the girl, on an old-fashioned horse-hair sofa, lay a boy of fourteen, white all over--white, with a yellowish tinge like wax or old marble--he was strikingly like the girl, obviously her brother. His eyes were closed, a patch of shadow fell from his thick black hair on a forehead like stone, and delicate, motionless eyebrows; between the blue lips could be seen clenched teeth. He seemed not to be breathing; one arm hung down to the floor, the other he had tossed above his head. The boy was dressed, and his clothes were closely buttoned; a tight cravat was twisted round his neck.

The girl rushed up to him with a wail of distress. 'He is dead, he is dead!' she cried; 'he was sitting here just now, talking to me--and all of a sudden he fell down and became rigid.... My God! can nothing be done to help him? And mamma not here! Pantaleone, Pantaleone, the doctor!' she went on suddenly in Italian. 'Have you been for the doctor?'

'Signora, I did not go, I sent Luise,' said a hoarse voice at the door, and a little bandy-legged old man came hobbling into the room in a lavender frock coat with black buttons, a high white cravat, short nankeen trousers, and blue worsted stockings. His diminutive little face was positively lost in a mass of iron-grey hair. Standing up in all directions, and falling back in ragged tufts, it gave the old man's figure a resemblance to a crested hen--a resemblance the more striking, that under the dark-grey mass nothing could be distinguished but a beak nose and round yellow eyes.

'Luise will run fast, and I can't run,' the old man went on in Italian, dragging his flat gouty feet, shod in high slippers with knots of ribbon. 'I've brought some water.'

In his withered, knotted fingers, he clutched a long bottle neck.

'But meanwhile Emil will die!' cried the girl, and holding out her hand to Sanin, 'O, sir, O mein Herr! can't you do something for him?'

'He ought to be bled--it's an apoplectic fit,' observed the old man addressed as Pantaleone.

Though Sanin had not the slightest notion of medicine, he knew one thing for certain, that boys of fourteen do not have apoplectic fits.

'It's a swoon, not a fit,' he said, turning to Pantaleone. 'Have you got any brushes?'

The old man raised his little face. 'Eh?'

'Brushes, brushes,' repeated Sanin in German and in French. 'Brushes,' he added, making as though he would brush his clothes.

The little old man understood him at last.

'Ah, brushes! Spazzette! to be sure we have!'

'Bring them here; we will take off his coat and try rubbing him.'

'Good ... Benone! And ought we not to sprinkle water on his head?'

'No ... later on; get the brushes now as quick as you can.'

Pantaleone put the bottle on the floor, ran out and returned at once with two brushes, one a hair-brush, and one a clothes-brush. A curly poodle followed him in, and vigorously wagging its tail, it looked up inquisitively at the old man, the girl, and even Sanin, as though it wanted to know what was the meaning of all this fuss.

Sanin quickly took the boy's coat off, unbuttoned his collar, and pushed up his shirt-sleeves, and arming himself with a brush, he began brushing his chest and arms with all his might. Pantaleone as zealously brushed away with the other--the hair-brush--at his boots and trousers. The girl flung herself on her knees by the sofa, and, clutching her head in both hands, fastened her eyes, not an eyelash quivering, on her brother.

Sanin rubbed on, and kept stealing glances at her. Mercy! what a beautiful creature she was!

III

Her nose was rather large, but handsome, aquiline-shaped; her upper lip was shaded by a light down; but then the colour of her face, smooth, uniform, like ivory or very pale milky amber, the wavering shimmer of her hair, like that of the Judith of Allorio in the Palazzo-Pitti; and above all, her eyes, dark-grey, with a black ring round the pupils, splendid, triumphant eyes, even now, when terror and distress dimmed their lustre.... Sanin could not help recalling the marvellous country he had just come from.... But even in Italy he had never met anything like her! The girl drew slow, uneven breaths; she seemed between each breath to be waiting to see whether her brother would not begin to breathe.

Sanin went on rubbing him, but he did not only watch the girl. The original figure of Pantaleone drew his attention too. The old man was quite exhausted and panting; at every movement of the brush he hopped up and down and groaned noisily, while his immense tufts of hair, soaked with perspiration, flapped heavily from side to side, like the roots of some strong plant, torn up by the water.

'You'd better, at least, take off his boots,' Sanin was just saying to him.

The poodle, probably excited by the unusualness of all the proceedings, suddenly sank on to its front paws and began barking.

'Tartaglia--canaglia!' the old man hissed at it. But at that instant the girl's face was transformed. Her eyebrows rose, her eyes grew wider, and shone with joy.

Sanin looked round ... A flush had over-spread the lad's face; his eyelids stirred ... his nostrils twitched. He drew in a breath through his still clenched teeth, sighed....

'Emil!' cried the girl ... 'Emilio mio!'

Slowly the big black eyes opened. They still had a dazed look, but already smiled faintly; the same faint smile hovered on his pale lips. Then he moved the arm that hung down, and laid it on his chest.

'Emilio!' repeated the girl, and she got up. The expression on her face was so tense and vivid, that it seemed that in an instant either she would burst into tears or break into laughter.

'Emil! what is it? Emil!' was heard outside, and a neatly-dressed lady with silvery grey hair and a dark face came with rapid steps into the room.

A middle-aged man followed her; the head of a maid-servant was visible over their shoulders.

The girl ran to meet them.

'He is saved, mother, he is alive!' she cried, impulsively embracing the lady who had just entered.

'But what is it?' she repeated. 'I come back ... and all of a sudden I meet the doctor and Luise ...'

The girl proceeded to explain what had happened, while the doctor went up to the invalid who was coming more and more to himself, and was still smiling: he seemed to be beginning to feel shy at the commotion he had caused.

'You've been using friction with brushes, I see,' said the doctor to Sanin and Pantaleone, 'and you did very well.... A very good idea ... and now let us see what further measures ...'

He felt the youth's pulse. 'H'm! show me your tongue!'

The lady bent anxiously over him. He smiled still more ingenuously, raised his eyes to her, and blushed a little.

It struck Sanin that he was no longer wanted; he went into the shop. But before he had time to touch the handle of the street-door, the girl was once more before him; she stopped him.

'You are going,' she began, looking warmly into his face; 'I will not keep you, but you must be sure to come to see us this evening: we are so indebted to you--you, perhaps, saved my brother's life, we want to thank you--mother wants to. You must tell us who you are, you must rejoice with us ...'

'But I am leaving for Berlin to-day,' Sanin faltered out.

'You will have time though,' the girl rejoined eagerly. 'Come to us in an hour's time to drink a cup of chocolate with us. You promise? I must go back to him! You will come?'

What could Sanin do?

'I will come,' he replied.

The beautiful girl pressed his hand, fluttered away, and he found himself in the street.

IV

When Sanin, an hour and a half later, returned to the Rosellis' shop he was received there like one of the family. Emilio was sitting on the same sofa, on which he had been rubbed; the doctor had prescribed him medicine and recommended 'great discretion in avoiding strong emotions' as being a subject of nervous temperament with a tendency to weakness of the heart. He had previously been liable to fainting-fits; but never had he lost consciousness so completely and for so long. However, the doctor declared that all danger was over. Emil, as was only suitable for an invalid, was dressed in a comfortable dressing-gown; his mother wound a blue woollen wrap round his neck; but he had a cheerful, almost a festive air; indeed everything had a festive air. Before the sofa, on a round table, covered with a clean cloth, towered a huge china coffee-pot, filled with fragrant chocolate, and encircled by cups, decanters of liqueur, biscuits and rolls, and even flowers; six slender wax candles were burning in two old-fashioned silver chandeliers; on one side of the sofa, a comfortable lounge-chair offered its soft embraces, and in this chair they made Sanin sit. All the inhabitants of the confectioner's shop, with whom he had made acquaintance that day, were present, not excluding the poodle, Tartaglia, and the cat; they all seemed happy beyond expression; the poodle positively sneezed with delight, only the cat was coy and blinked sleepily as before. They made Sanin tell them who he was, where he came from, and what was his name; when he said he was a Russian, both the ladies were a little surprised, uttered ejaculations of wonder, and declared with one voice that he spoke German splendidly; but if he preferred to speak French, he might make use of that language, as they both understood it and spoke it well. Sanin at once availed himself of this suggestion. 'Sanin! Sanin!' The ladies would never have expected that a Russian surname could be so easy to pronounce. His Christian name--'Dimitri'--they liked very much too. The elder lady observed that in her youth she had heard a fine opera--Demetrio e Polibio'--but that 'Dimitri' was much nicer than 'Demetrio.' In this way Sanin talked for about an hour. The ladies on their side initiated him into all the details of their own life. The talking was mostly done by the mother, the lady with grey hair. Sanin learnt from her that her name was Leonora Roselli; that she had lost her husband, Giovanni Battista Roselli, who had settled in Frankfort as a confectioner twenty--five years ago; that Giovanni Battista had come from Vicenza and had been a most excellent, though fiery and irascible man, and a republican withal! At those words Signora Roselli pointed to his portrait, painted in oil-colours, and hanging over the sofa. It must be presumed that the painter, 'also a republican!' as Signora Roselli observed with a sigh, had not fully succeeded in catching a likeness, for in his portrait the late Giovanni Battista appeared as a morose and gloomy brigand, after the style of Rinaldo Rinaldini! Signora Roselli herself had come from 'the ancient and splendid city of Parma where there is the wonderful cupola, painted by the immortal Correggio!' But from her long residence in Germany she had become almost completely Germanised. Then she added, mournfully shaking her head, that all she had left was this daughter and this son (pointing to each in turn with her finger); that the daughter's name was Gemma, and the son's Emilio; that they were both very good and obedient children--especially Emilio ... ('Me not obedient!' her daughter put in at that point. 'Oh, you're a republican, too!' answered her mother). That the business, of course, was not what it had been in the days of her husband, who had a great gift for the confectionery line ... ('Un grand uomo!' Pantaleone confirmed with a severe air); but that still, thank God, they managed to get along!

V

Gemma listened to her mother, and at one minute laughed, then sighed, then patted her on the shoulder, and shook her finger at her, and then looked at Sanin; at last, she got up, embraced her mother and kissed her in the hollow of her neck, which made the latter laugh extremely and shriek a little. Pantaleone too was presented to Sanin. It appeared he had once been an opera singer, a baritone, but had long ago given up the theatre, and occupied in the Roselli family a position between that of a family friend and a servant. In spite of his prolonged residence in Germany, he had learnt very little German, and only knew how to swear in it, mercilessly distorting even the terms of abuse. 'Ferroflucto spitchebubbio' was his favourite epithet for almost every German. He spoke Italian with a perfect accent--for was he not by birth from Sinigali, where may be heard 'lingua toscana in bocca romana'! Emilio, obviously, played the invalid and indulged himself in the pleasant sensations of one who has only just escaped a danger or is returning to health after illness; it was evident, too, that the family spoiled him. He thanked Sanin bashfully, but devoted himself chiefly to the biscuits and sweetmeats. Sanin was compelled to drink two large cups of excellent chocolate, and to eat a considerable number of biscuits; no sooner had he swallowed one than Gemma offered him another--and to refuse was impossible! He soon felt at home: the time flew by with incredible swiftness. He had to tell them a great deal--about Russia in general, the Russian climate, Russian society, the Russian peasant--and especially about the Cossacks; about the war of 1812, about Peter the Great, about the Kremlin, and the Russian songs and bells. Both ladies had a very faint conception of our vast and remote fatherland; Signora Roselli, or as she was more often called, Frau Lenore, positively dumfoundered Sanin with the question, whether there was still existing at Petersburg the celebrated house of ice, built last century, about which she had lately read a very curious article in one of her husband's books, 'Bettezze delle arti.' And in reply to Sanin's exclamation, 'Do you really suppose that there is never any summer in Russia?' Frau Lenore replied that till then she had always pictured Russia like this--eternal snow, every one going about in furs, and all military men, but the greatest hospitality, and all the peasants very submissive! Sanin tried to impart to her and her daughter some more exact information. When the conversation touched on Russian music, they begged him at once to sing some Russian air and showed him a diminutive piano with black keys instead of white and white instead of black. He obeyed without making much ado and accompanying himself with two fingers of the right hand and three of the left (the first, second, and little finger) he sang in a thin nasal tenor, first 'The Sarafan,' then 'Along a Paved Street.' The ladies praised his voice and the music, but were more struck with the softness and sonorousness of the Russian language and asked for a translation of the text. Sanin complied with their wishes--but as the words of 'The Sarafan,' and still more of 'Along a Paved Street' (sur une rue pavée une jeune fille allait à l'eau was how he rendered the sense of the original) were not calculated to inspire his listeners with an exalted idea of Russian poetry, he first recited, then translated, and then sang Pushkin's, 'I remember a marvellous moment,' set to music by Glinka, whose minor bars he did not render quite faithfully. Then the ladies went into ecstasies. Frau Lenore positively discovered in Russian a wonderful likeness to the Italian. Even the names Pushkin (she pronounced it Pussekin) and Glinka sounded somewhat familiar to her. Sanin on his side begged the ladies to sing something; they too did not wait to be pressed. Frau Lenore sat down to the piano and sang with Gemma some duets and 'stornelle.' The mother had once had a fine contralto; the daughter's voice was not strong, but was pleasing.

VI

But it was not Gemma's voice--it was herself Sanin was admiring. He was sitting a little behind and on one side of her, and kept thinking to himself that no palm-tree, even in the poems of Benediktov--the poet in fashion in those days--could rival the slender grace of her figure. When, at the most emotional passages, she raised her eyes upwards--it seemed to him no heaven could fail to open at such a look! Even the old man, Pantaleone, who with his shoulder propped against the doorpost, and his chin and mouth tucked into his capacious cravat, was listening solemnly with the air of a connoisseur--even he was admiring the girl's lovely face and marvelling at it, though one would have thought he must have been used to it! When she had finished the duet with her daughter, Frau Lenore observed that Emilio had a fine voice, like a silver bell, but that now he was at the age when the voice changes--he did, in fact, talk in a sort of bass constantly falling into falsetto--and that he was therefore forbidden to sing; but that Pantaleone now really might try his skill of old days in honour of their guest! Pantaleone promptly put on a displeased air, frowned, ruffled up his hair, and declared that he had given it all up long ago, though he could certainly in his youth hold his own, and indeed had belonged to that great period, when there were real classical singers, not to be compared to the squeaking performers of to-day! and a real school of singing; that he, Pantaleone Cippatola of Varese, had once been brought a laurel wreath from Modena, and that on that occasion some white doves had positively been let fly in the theatre; that among others a Russian prince Tarbusky--'il principe Tarbusski'--with whom he had been on the most friendly terms, had after supper persistently invited him to Russia, promising him mountains of gold, mountains!... but that he had been unwilling to leave Italy, the land of Dante--il paese del Dante! Afterward, to be sure, there came ... unfortunate circumstances, he had himself been imprudent.... At this point the old man broke off, sighed deeply twice, looked dejected, and began again talking of the classical period of singing, of the celebrated tenor Garcia, for whom he cherished a devout, unbounded veneration. 'He was a man!' he exclaimed. 'Never had the great Garcia (il gran Garcia) demeaned himself by singing falsetto like the paltry tenors of to-day--tenoracci; always from the chest, from the chest, voce di petto, si!' and the old man aimed a vigorous blow with his little shrivelled fist at his own shirt-front! 'And what an actor! A volcano, signori miei, a volcano, un Vesuvio! I had the honour and the happiness of singing with him in the opera dell' illustrissimo maestro Rossini--in Otello! Garcia was Otello,--I was Iago--and when he rendered the phrase':--here Pantaleone threw himself into an attitude and began singing in a hoarse and shaky, but still moving voice:

"L'i ... ra daver ... so daver ... so il fato lo più no ... no ... no ... non temerò!"

The theatre was all a-quiver, signori miei! though I too did not fall short, I too after him.

"L'i ra daver ... so daver ... so il fato Temèr più non davro!"

And all of a sudden, he crashed like lightning, like a tiger: Morro!... ma vendicato ... Again when he was singing ... when he was singing that celebrated air from "Matrimonio segreto," Pria che spunti ... then he, il gran Garcia, after the words, "I cavalli di galoppo"--at the words, "Senza posa cacciera,"--listen, how stupendous, come è stupendo! At that point he made ...' The old man began a sort of extraordinary flourish, and at the tenth note broke down, cleared his throat, and with a wave of his arm turned away, muttering, 'Why do you torment me?' Gemma jumped up at once and clapping loudly and shouting, bravo!... bravo!... she ran to the poor old super-annuated Iago and with both hands patted him affectionately on the shoulders. Only Emil laughed ruthlessly. Cet âge est sans pitié--that age knows no mercy--Lafontaine has said already.

Sanin tried to soothe the aged singer and began talking to him in Italian--(he had picked up a smattering during his last tour there)--began talking of 'paese del Dante, dove il si suona.' This phrase, together with 'Lasciate ogni speranza,' made up the whole stock of poetic Italian of the young tourist; but Pantaleone was not won over by his blandishments. Tucking his chin deeper than ever into his cravat and sullenly rolling his eyes, he was once more like a bird, an angry one too,--a crow or a kite. Then Emil, with a faint momentary blush, such as one so often sees in spoilt children, addressing his sister, said if she wanted to entertain their guest, she could do nothing better than read him one of those little comedies of Malz, that she read so nicely. Gemma laughed, slapped her brother on the arm, exclaimed that he 'always had such ideas!' She went promptly, however, to her room, and returning thence with a small book in her hand, seated herself at the table before the lamp, looked round, lifted one finger as much as to say, 'hush!'--a typically Italian gesture--and began reading.

VII

Malz was a writer flourishing at Frankfort about 1830, whose short comedies, written in a light vein in the local dialect, hit off local Frankfort types with bright and amusing, though not deep, humour. It turned out that Gemma really did read excellently--quite like an actress in fact. She indicated each personage, and sustained the character capitally, making full use of the talent of mimicry she had inherited with her Italian blood; she had no mercy on her soft voice or her lovely face, and when she had to represent some old crone in her dotage, or a stupid burgomaster, she made the drollest grimaces, screwing up her eyes, wrinkling up her nose, lisping, squeaking.... She did not herself laugh during the reading; but when her audience (with the exception of Pantaleone: he had walked off in indignation so soon as the conversation turned o quel ferroflucto Tedesco) interrupted her by an outburst of unanimous laughter, she dropped the book on her knee, and laughed musically too, her head thrown back, and her black hair dancing in little ringlets on her neck and her shaking shoulders. When the laughter ceased, she picked up the book at once, and again resuming a suitable expression, began the reading seriously. Sanin could not get over his admiration; he was particularly astonished at the marvellous way in which a face so ideally beautiful assumed suddenly a comic, sometimes almost a vulgar expression. Gemma was less successful in the parts of young girls--of so-called 'jeunes premières'; in the love-scenes in particular she failed; she was conscious of this herself, and for that reason gave them a faint shade of irony as though she did not quite believe in all these rapturous vows and elevated sentiments, of which the author, however, was himself rather sparing--so far as he could be.

Sanin did not notice how the evening was flying by, and only recollected the journey before him when the clock struck ten. He leaped up from his seat as though he had been stung.

'What is the matter?' inquired Frau Lenore.

'Why, I had to start for Berlin to-night, and I have taken a place in the diligence!'

'And when does the diligence start?'

'At half-past ten!'

'Well, then, you won't catch it now,' observed Gemma; 'you must stay ... and I will go on reading.'

'Have you paid the whole fare or only given a deposit?' Frau Lenore queried.

'The whole fare!' Sanin said dolefully with a gloomy face.

Gemma looked at him, half closed her eyes, and laughed, while her mother scolded her:

'The young gentleman has paid away his money for nothing, and you laugh!'

'Never mind,' answered Gemma; 'it won't ruin him, and we will try and amuse him. Will you have some lemonade?'

Sanin drank a glass of lemonade, Gemma took up Malz once more; and all went merrily again.

The clock struck twelve. Sanin rose to take leave.

'You must stay some days now in Frankfort,' said Gemma: 'why should you hurry away? It would be no nicer in any other town.' She paused. 'It wouldn't, really,' she added with a smile. Sanin made no reply, and reflected that considering the emptiness of his purse, he would have no choice about remaining in Frankfort till he got an answer from a friend in Berlin, to whom he proposed writing for money.

'Yes, do stay,' urged Frau Lenore too. 'We will introduce you to Mr. Karl Klüber, who is engaged to Gemma. He could not come to-day, as he was very busy at his shop ... you must have seen the biggest draper's and silk mercer's shop in the Zeile. Well, he is the manager there. But he will be delighted to call on you himself.'

Sanin--heaven knows why--was slightly disconcerted by this piece of information. 'He's a lucky fellow, that fiancé!' flashed across his mind. He looked at Gemma, and fancied he detected an ironical look in her eyes. He began saying good-bye.

'Till to-morrow? Till to-morrow, isn't it?' queried Frau Lenore.

'Till to-morrow!' Gemma declared in a tone not of interrogation, but of affirmation, as though it could not be otherwise.

'Till to-morrow!' echoed Sanin.

Emil, Pantaleone, and the poodle Tartaglia accompanied him to the corner of the street. Pantaleone could not refrain from expressing his displeasure at Gemma's reading.

'She ought to be ashamed! She mouths and whines, una caricatura! She ought to represent Merope or Clytemnaestra--something grand, tragic--and she apes some wretched German woman! I can do that ... merz, kerz, smerz,' he went on in a hoarse voice poking his face forward, and brandishing his fingers. Tartaglia began barking at him, while Emil burst out laughing. The old man turned sharply back.

Sanin went back to the White Swan (he had left his things there in the public hall) in a rather confused frame of mind. All the talk he had had in French, German, and Italian was ringing in his ears.

'Engaged!' he whispered as he lay in bed, in the modest apartment assigned to him. 'And what a beauty! But what did I stay for?'

Next day he sent a letter to his friend in Berlin.

VIII

He had not finished dressing, when a waiter announced the arrival of two gentlemen. One of them turned out to be Emil; the other, a good-looking and well-grown young man, with a handsome face, was Herr Karl Klüber, the betrothed of the lovely Gemma.

One may safely assume that at that time in all Frankfort, there was not in a single shop a manager as civil, as decorous, as dignified, and as affable as Herr Klüber. The irreproachable perfection of his get-up was on a level with the dignity of his deportment, with the elegance--a little affected and stiff, it is true, in the English style (he had spent two years in England)--but still fascinating, elegance of his manners! It was clear from the first glance that this handsome, rather severe, excellently brought-up and superbly washed young man was accustomed to obey his superior and to command his inferior, and that behind the counter of his shop he must infallibly inspire respect even in his customers! Of his supernatural honesty there could never be a particle of doubt: one had but to look at his stiffly starched collars! And his voice, it appeared, was just what one would expect; deep, and of a self-confident richness, but not too loud, with positively a certain caressing note in its timbre. Such a voice was peculiarly fitted to give orders to assistants under his control: 'Show the crimson Lyons velvet!' or, 'Hand the lady a chair!'

Herr Klüber began with introducing himself; as he did so, he bowed with such loftiness, moved his legs with such an agreeable air, and drew his heels together with such polished courtesy that no one could fail to feel, 'that man has both linen and moral principles of the first quality!' The finish of his bare right hand--(the left, in a suede glove, held a hat shining like a looking-glass, with the right glove placed within it)--the finish of the right hand, proffered modestly but resolutely to Sanin, surpassed all belief; each finger-nail was a perfection in its own way! Then he proceeded to explain in the choicest German that he was anxious to express his respect and his indebtedness to the foreign gentleman who had performed so signal a service to his future kinsman, the brother of his betrothed; as he spoke, he waved his left hand with the hat in it in the direction of Emil, who seemed bashful and turning away to the window, put his finger in his mouth. Herr Klüber added that he should esteem himself happy should he be able in return to do anything for the foreign gentleman. Sanin, with some difficulty, replied, also in German, that he was delighted ... that the service was not worth speaking of ... and he begged his guests to sit down. Herr Klüber thanked him, and lifting his coat-tails, sat down on a chair; but he perched there so lightly and with such a transitory air that no one could fail to realise, 'this man is sitting down from politeness, and will fly up again in an instant.' And he did in fact fly up again quickly, and advancing with two discreet little dance-steps, he announced that to his regret he was unable to stay any longer, as he had to hasten to his shop--business before everything! but as the next day was Sunday, he had, with the consent of Frau Lenore and Fräulein Gemma, arranged a holiday excursion to Soden, to which he had the honour of inviting the foreign gentleman, and he cherished the hope that he would not refuse to grace the party with his presence. Sanin did not refuse so to grace it; and Herr Klüber repeating once more his complimentary sentiments, took leave, his pea-green trousers making a spot of cheerful colour, and his brand-new boots squeaking cheerfully as he moved.

IX

Emil, who had continued to stand with his face to the window, even after Sanin's invitation to him to sit down, turned round directly his future kinsman had gone out, and with a childish pout and blush, asked Sanin if he might remain a little while with him. 'I am much better to-day,' he added, 'but the doctor has forbidden me to do any work.'

'Stay by all means! You won't be in the least in my way,' Sanin cried at once. Like every true Russian he was glad to clutch at any excuse that saved him from the necessity of doing anything himself.

Emil thanked him, and in a very short time he was completely at home with him and with his room; he looked at all his things, asked him about almost every one of them, where he had bought it, and what was its value. He helped him to shave, observing that it was a mistake not to let his moustache grow; and finally told him a number of details about his mother, his sister, Pantaleone, the poodle Tartaglia, and all their daily life. Every semblance of timidity vanished in Emil; he suddenly felt extraordinarily attracted to Sanin--not at all because he had saved his life the day before, but because he was such a nice person! He lost no time in confiding all his secrets to Sanin. He expatiated with special warmth on the fact that his mother was set on making him a shopkeeper, while he knew, knew for certain, that he was born an artist, a musician, a singer; that Pantaleone even encouraged him, but that Herr Klüber supported mamma, over whom he had great influence; that the very idea of his being a shopkeeper really originated with Herr Klüber, who considered that nothing in the world could compare with trade! To measure out cloth--and cheat the public, extorting from it 'Narren--oder Russen Preise' (fools'--or Russian prices)--that was his ideal! [Footnote: In former days--and very likely it is not different now--when, from May onwards, a great number of Russians visited Frankfort, prices rose in all the shops, and were called 'Russians',' or, alas! 'fools' prices.']

'Come! now you must come and see us!' he cried, directly Sanin had finished his toilet and written his letter to Berlin.

'It's early yet,' observed Sanin.

'That's no matter,' replied Emil caressingly. 'Come along! We'll go to the post--and from there to our place. Gemma will be so glad to see you! You must have lunch with us.... You might say a word to mamma about me, my career....'

'Very well, let's go,' said Sanin, and they set off.

X

Gemma certainly was delighted to see him, and Frau Lenore gave him a very friendly welcome; he had obviously made a good impression on both of them the evening before. Emil ran to see to getting lunch ready, after a preliminary whisper, 'don't forget!' in Sanin's ear.

'I won't forget,' responded Sanin.

Frau Lenore was not quite well; she had a sick headache, and, half-lying down in an easy chair, she tried to keep perfectly still. Gemma wore a full yellow blouse, with a black leather belt round the waist; she too seemed exhausted, and was rather pale; there were dark rings round her eyes, but their lustre was not the less for it; it added something of charm and mystery to the classical lines of her face. Sanin was especially struck that day by the exquisite beauty of her hands; when she smoothed and put back her dark, glossy tresses he could not take his eyes off her long supple fingers, held slightly apart from one another like the hand of Raphael's Fornarina.

It was very hot out-of-doors; after lunch Sanin was about to take leave, but they told him that on such a day the best thing was to stay where one was, and he agreed; he stayed. In the back room where he was sitting with the ladies of the household, coolness reigned supreme; the windows looked out upon a little garden overgrown with acacias. Multitudes of bees, wasps, and humming beetles kept up a steady, eager buzz in their thick branches, which were studded with golden blossoms; through the half-drawn curtains and the lowered blinds this never-ceasing hum made its way into the room, telling of the sultry heat in the air outside, and making the cool of the closed and snug abode seem the sweeter.

Sanin talked a great deal, as on the day before, but not of Russia, nor of Russian life. Being anxious to please his young friend, who had been sent off to Herr Klüber's immediately after lunch, to acquire a knowledge of book-keeping, he turned the conversation on the comparative advantages and disadvantages of art and commerce. He was not surprised at Frau Lenore's standing up for commerce--he had expected that; but Gemma too shared her opinion.

'If one's an artist, and especially a singer,' she declared with a vigorous downward sweep of her hand, 'one's got to be first-rate! Second-rate's worse than nothing; and who can tell if one will arrive at being first-rate?' Pantaleone, who took part too in the conversation--(as an old servant and an old man he had the privilege of sitting down in the presence of the ladies of the house; Italians are not, as a rule, strict in matters of etiquette)--Pantaleone, as a matter of course, stood like a rock for art. To tell the truth, his arguments were somewhat feeble; he kept expatiating for the most part on the necessity, before all things, of possessing 'un certo estro d'inspirazione'--a certain force of inspiration! Frau Lenore remarked to him that he had, to be sure, possessed such an 'estro'--and yet ... 'I had enemies,' Pantaleone observed gloomily. 'And how do you know that Emil will not have enemies, even if this "estro" is found in him?' 'Very well, make a tradesman of him, then,' retorted Pantaleone in vexation; 'but Giovan' Battista would never have done it, though he was a confectioner himself!' 'Giovan' Battista, my husband, was a reasonable man, and even though he was in his youth led away ...' But the old man would hear nothing more, and walked away, repeating reproachfully, 'Ah! Giovan' Battista!...' Gemma exclaimed that if Emil felt like a patriot, and wanted to devote all his powers to the liberation of Italy, then, of course, for such a high and holy cause he might sacrifice the security of the future--but not for the theatre! Thereupon Frau Lenore became much agitated, and began to implore her daughter to refrain at least from turning her brother's head, and to content herself with being such a desperate republican herself! Frau Lenore groaned as she uttered these words, and began complaining of her head, which was 'ready to split.' (Frau Lenore, in deference to their guest, talked to her daughter in French.)

Gemma began at once to wait upon her; she moistened her forehead with eau-de-Cologne, gently blew on it, gently kissed her cheek, made her lay her head on a pillow, forbade her to speak, and kissed her again. Then, turning to Sanin, she began telling him in a half-joking, half-tender tone what a splendid mother she had, and what a beauty she had been. '"Had been," did I say? she is charming now! Look, look, what eyes!'

Gemma instantly pulled a white handkerchief out of her pocket, covered her mother's face with it, and slowly drawing it downwards, gradually uncovered Frau Lenore's forehead, eyebrows, and eyes; she waited a moment and asked her to open them. Her mother obeyed; Gemma cried out in ecstasy (Frau Lenore's eyes really were very beautiful), and rapidly sliding the handkerchief over the lower, less regular part of the face, fell to kissing her again. Frau Lenore laughed, and turning a little away, with a pretence of violence, pushed her daughter away. She too pretended to struggle with her mother, and lavished caresses on her--not like a cat, in the French manner, but with that special Italian grace in which is always felt the presence of power.

At last Frau Lenore declared she was tired out ... Then Gemma at once advised her to have a little nap, where she was, in her chair, 'and I and the Russian gentleman--"avec le monsieur russe"--will be as quiet, as quiet ... as little mice ... "comme des petites souris."' Frau Lenore smiled at her in reply, closed her eyes, and after a few sighs began to doze. Gemma quickly dropped down on a bench beside her and did not stir again, only from time to time she put a finger of one hand to her lips--with the other hand she was holding up a pillow behind her mother's head--and said softly, 'sh-sh!' with a sidelong look at Sanin, if he permitted himself the smallest movement. In the end he too sank into a kind of dream, and sat motionless as though spell-bound, while all his faculties were absorbed in admiring the picture presented him by the half-dark room, here and there spotted with patches of light crimson, where fresh, luxuriant roses stood in the old-fashioned green glasses, and the sleeping woman with demurely folded hands and kind, weary face, framed in the snowy whiteness of the pillow, and the young, keenly-alert and also kind, clever, pure, and unspeakably beautiful creature with such black, deep, overshadowed, yet shining eyes.... What was it? A dream? a fairy tale? And how came he to be in it?

XI

The bell tinkled at the outer door. A young peasant lad in a fur cap and a red waistcoat came into the shop from the street. Not one customer had looked into it since early morning ... 'You see how much business we do!' Frau Lenore observed to Sanin at lunch-time with a sigh. She was still asleep; Gemma was afraid to take her arm from the pillow, and whispered to Sanin: 'You go, and mind the shop for me!' Sanin went on tiptoe into the shop at once. The boy wanted a quarter of a pound of peppermints. 'How much must I take?' Sanin whispered from the door to Gemma. 'Six kreutzers!' she answered in the same whisper. Sanin weighed out a quarter of a pound, found some paper, twisted it into a cone, tipped the peppermints into it, spilt them, tipped them in again, spilt them again, at last handed them to the boy, and took the money.... The boy gazed at him in amazement, twisting his cap in his hands on his stomach, and in the next room, Gemma was stifling with suppressed laughter. Before the first customer had walked out, a second appeared, then a third.... 'I bring luck, it's clear!' thought Sanin. The second customer wanted a glass of orangeade, the third, half-a-pound of sweets. Sanin satisfied their needs, zealously clattering the spoons, changing the saucers, and eagerly plunging his fingers into drawers and jars. On reckoning up, it appeared that he had charged too little for the orangeade, and taken two kreutzers too much for the sweets. Gemma did not cease laughing softly, and Sanin too was aware of an extraordinary lightness of heart, a peculiarly happy state of mind. He felt as if he had for ever been standing behind the counter and dealing in orangeade and sweetmeats, with that exquisite creature looking at him through the doorway with affectionately mocking eyes, while the summer sun, forcing its way through the sturdy leafage of the chestnuts that grew in front of the windows, filled the whole room with the greenish-gold of the midday light and shade, and the heart grew soft in the sweet languor of idleness, carelessness, and youth--first youth!

A fourth customer asked for a cup of coffee; Pantaleone had to be appealed to. (Emil had not yet come back from Herr Klüber's shop.) Sanin went and sat by Gemma again. Frau Lenore still went on sleeping, to her daughter's great delight. 'Mamma always sleeps off her sick headaches,' she observed. Sanin began talking--in a whisper, of course, as before--of his minding the shop; very seriously inquired the price of various articles of confectionery; Gemma just as seriously told him these prices, and meanwhile both of them were inwardly laughing together, as though conscious they were playing in a very amusing farce. All of a sudden, an organ-grinder in the street began playing an air from the Freischütz: 'Durch die Felder, durch die Auen ...' The dance tune fell shrill and quivering on the motionless air. Gemma started ... 'He will wake mamma!' Sanin promptly darted out into the street, thrust a few kreutzers into the organ-grinder's hand, and made him cease playing and move away. When he came back, Gemma thanked him with a little nod of the head, and with a pensive smile she began herself just audibly humming the beautiful melody of Weber's, in which Max expresses all the perplexities of first love. Then she asked Sanin whether he knew 'Freischütz,' whether he was fond of Weber, and added that though she was herself an Italian, she liked such music best of all. From Weber the conversation glided off on to poetry and romanticism, on to Hoffmann, whom every one was still reading at that time.

And Frau Lenore still slept, and even snored just a little, and the sunbeams, piercing in narrow streaks through the shutters, were incessantly and imperceptibly shifting and travelling over the floor, the furniture, Gemma's dress, and the leaves and petals of the flowers.

XII

It appeared that Gemma was not very fond of Hoffmann, that she even thought him ... tedious! The fantastic, misty northern element in his stories was too remote from her clear, southern nature. 'It's all fairy-tales, all written for children!' she declared with some contempt. She was vaguely conscious, too, of the lack of poetry in Hoffmann. But there was one of his stories, the title of which she had forgotten, which she greatly liked; more precisely speaking, it was only the beginning of this story that she liked; the end she had either not read or had forgotten. The story was about a young man who in some place, a sort of restaurant perhaps, meets a girl of striking beauty, a Greek; she is accompanied by a mysterious and strange, wicked old man. The young man falls in love with the girl at first sight; she looks at him so mournfully, as though beseeching him to deliver her.... He goes out for an instant, and, coming back into the restaurant, finds there neither the girl nor the old man; he rushes off in pursuit of her, continually comes upon fresh traces of her, follows them up, and can never by any means come upon her anywhere. The lovely girl has vanished for him for ever and ever, and he is never able to forget her imploring glance, and is tortured by the thought that all the happiness of his life, perhaps, has slipped through his fingers.

Hoffmann does not end his story quite in that way; but so it had taken shape, so it had remained, in Gemma's memory.

'I fancy,' she said, 'such meetings and such partings happen oftener in the world than we suppose.'

Sanin was silent ... and soon after he began talking ... of Herr Klüber. It was the first time he had referred to him; he had not once remembered him till that instant.

Gemma was silent in her turn, and sank into thought, biting the nail of her forefinger and fixing her eyes away. Then she began to speak in praise of her betrothed, alluded to the excursion he had planned for the next day, and, glancing swiftly at Sanin, was silent again.

Sanin did not know on what subject to turn the conversation.

Emil ran in noisily and waked Frau Lenore ... Sanin was relieved by his appearance.

Frau Lenore got up from her low chair. Pantaleone came in and announced that dinner was ready. The friend of the family, ex-singer, and servant also performed the duties of cook.

XIII

Sanin stayed on after dinner too. They did not let him go, still on the same pretext of the terrible heat; and when the heat began to decrease, they proposed going out into the garden to drink coffee in the shade of the acacias. Sanin consented. He felt very happy. In the quietly monotonous, smooth current of life lie hid great delights, and he gave himself up to these delights with zest, asking nothing much of the present day, but also thinking nothing of the morrow, nor recalling the day before. How much the mere society of such a girl as Gemma meant to him! He would shortly part from her and, most likely, for ever; but so long as they were borne, as in Uhland's song, in one skiff over the sea of life, untossed by tempest, well might the traveller rejoice and be glad. And everything seemed sweet and delightful to the happy voyager. Frau Lenore offered to play against him and Pantaleone at 'tresette,' instructed him in this not complicated Italian game, and won a few kreutzers from him, and he was well content. Pantaleone, at Emil's request, made the poodle, Tartaglia, perform all his tricks, and Tartaglia jumped over a stick 'spoke,' that is, barked, sneezed, shut the door with his nose, fetched his master's trodden-down slippers; and, finally, with an old cap on his head, he portrayed Marshal Bernadotte, subjected to the bitterest upbraidings by the Emperor Napoleon on account of his treachery. Napoleon's part was, of course, performed by Pantaleone, and very faithfully he performed it: he folded his arms across his chest, pulled a cocked hat over his eyes, and spoke very gruffly and sternly, in French--and heavens! what French! Tartaglia sat before his sovereign, all huddled up, with dejected tail, and eyes blinking and twitching in confusion, under the peak of his cap which was stuck on awry; from time to time when Napoleon raised his voice, Bernadotte rose on his hind paws. 'Fuori, traditore!' cried Napoleon at last, forgetting in the excess of his wrath that he had to sustain his rôle as a Frenchman to the end; and Bernadotte promptly flew under the sofa, but quickly darted out again with a joyful bark, as though to announce that the performance was over. All the spectators laughed, and Sanin more than all.

Gemma had a particularly charming, continual, soft laugh, with very droll little shrieks.... Sanin was fairly enchanted by that laugh--he could have kissed her for those shrieks!

Night came on at last. He had in decency to take leave! After saying good-bye several times over to every one, and repeating several times to all, 'till to-morrow!'--Emil he went so far as to kiss--Sanin started home, carrying with him the image of the young girl, at one time laughing, at another thoughtful, calm, and even indifferent--but always attractive! Her eyes, at one time wide open, clear and bright as day, at another time half shrouded by the lashes and deep and dark as night, seemed to float before his eyes, piercing in a strange sweet way across all other images and recollections.

Of Herr Klüber, of the causes impelling him to remain in Frankfort--in short, of everything that had disturbed his mind the evening before--he never thought once.

XIV

We must, however, say a few words about Sanin himself.

In the first place, he was very, very good-looking. A handsome, graceful figure, agreeable, rather unformed features, kindly bluish eyes, golden hair, a clear white and red skin, and, above all, that peculiar, naïvely-cheerful, confiding, open, at the first glance, somewhat foolish expression, by which in former days one could recognise directly the children of steady-going, noble families, 'sons of their fathers,' fine young landowners, born and reared in our open, half-wild country parts,--a hesitating gait, a voice with a lisp, a smile like a child's the minute you looked at him ... lastly, freshness, health, softness, softness, softness,--there you have the whole of Sanin. And secondly, he was not stupid and had picked up a fair amount of knowledge. Fresh he had remained, for all his foreign tour; the disturbing emotions in which the greater part of the young people of that day were tempest-tossed were very little known to him.

Of late years, in response to the assiduous search for 'new types,' young men have begun to appear in our literature, determined at all hazards to be 'fresh'... as fresh as Flensburg oysters, when they reach Petersburg.... Sanin was not like them. Since we have had recourse already to simile, he rather recalled a young, leafy, freshly-grafted apple-tree in one of our fertile orchards--or better still, a well-groomed, sleek, sturdy-limbed, tender young 'three-year-old' in some old-fashioned seignorial stud stable, a young horse that they have hardly begun to break in to the traces.... Those who came across Sanin in later years, when life had knocked him about a good deal, and the sleekness and plumpness of youth had long vanished, saw in him a totally different man.

* * * * *

Next day Sanin was still in bed when Emil, in his best clothes, with a cane in his hand and much pomade on his head, burst into his room, announcing that Herr Klüber would be here directly with the carriage, that the weather promised to be exquisite, that they had everything ready by now, but that mamma was not going, as her head was bad again. He began to hurry Sanin, telling him that there was not a minute to lose.... And Herr Klüber did, in fact, find Sanin still at his toilet. He knocked at the door, came in, bowed with a bend from the waist, expressed his readiness to wait as long as might be desired, and sat down, his hat balanced elegantly on his knees. The handsome shop-manager had got himself up and perfumed himself to excess: his every action was accompanied by a powerful whiff of the most refined aroma. He arrived in a comfortable open carriage--one of the kind called landau--drawn by two tall and powerful but not well-shaped horses. A quarter of an hour later Sanin, Klüber, and Emil, in this same carriage, drew up triumphantly at the steps of the confectioner's shop. Madame Roselli resolutely refused to join the party; Gemma wanted to stay with her mother; but she simply turned her out.

'I don't want any one,' she declared; 'I shall go to sleep. I would send Pantaleone with you too, only there would be no one to mind the shop.'

'May we take Tartaglia?' asked Emil.

'Of course you may.'

Tartaglia immediately scrambled, with delighted struggles, on to the box and sat there, licking himself; it was obviously a thing he was accustomed to. Gemma put on a large straw hat with brown ribbons; the hat was bent down in front, so as to shade almost the whole of her face from the sun. The line of shadow stopped just at her lips; they wore a tender maiden flush, like the petals of a centifoil rose, and her teeth gleamed stealthily--innocently too, as when children smile. Gemma sat facing the horses, with Sanin; Klüber and Emil sat opposite. The pale face of Frau Lenore appeared at the window; Gemma waved her handkerchief to her, and the horses started.

XV

Soden is a little town half an hour's distance from Frankfort. It lies in a beautiful country among the spurs of the Taunus Mountains, and is known among us in Russia for its waters, which are supposed to be beneficial to people with weak lungs. The Frankforters visit it more for purposes of recreation, as Soden possesses a fine park and various 'wirthschaften,' where one may drink beer and coffee in the shade of the tall limes and maples. The road from Frankfort to Soden runs along the right bank of the Maine, and is planted all along with fruit trees. While the carriage was rolling slowly along an excellent road, Sanin stealthily watched how Gemma behaved to her betrothed; it was the first time he had seen them together. She was quiet and simple in her manner, but rather more reserved and serious than usual; he had the air of a condescending schoolmaster, permitting himself and those under his authority a discreet and decorous pleasure. Sanin saw no signs in him of any marked attentiveness, of what the French call 'empressement,' in his demeanour to Gemma. It was clear that Herr Klüber considered that it was a matter settled once for all, and that therefore he saw no reason to trouble or excite himself. But his condescension never left him for an instant! Even during a long ramble before dinner about the wooded hills and valleys behind Soden, even when enjoying the beauties of nature, he treated nature itself with the same condescension, through which his habitual magisterial severity peeped out from time to time. So, for example, he observed in regard to one stream that it ran too straight through the glade, instead of making a few picturesque curves; he disapproved, too, of the conduct of a bird--a chaffinch--for singing so monotonously. Gemma was not bored, and even, apparently, was enjoying herself; but Sanin did not recognise her as the Gemma of the preceding days; it was not that she seemed under a cloud--her beauty had never been more dazzling--but her soul seemed to have withdrawn into herself. With her parasol open and her gloves still buttoned up, she walked sedately, deliberately, as well-bred young girls walk, and spoke little. Emil, too, felt stiff, and Sanin more so than all. He was somewhat embarrassed too by the fact that the conversation was all the time in German. Only Tartaglia was in high spirits! He darted, barking frantically, after blackbirds, leaped over ravines, stumps and roots, rushed headlong into the water, lapped at it in desperate haste, shook himself, whining, and was off like an arrow, his red tongue trailing after him almost to his shoulder. Herr Klüber, for his part, did everything he supposed conducive to the mirthfulness of the company; he begged them to sit down in the shade of a spreading oak-tree, and taking out of a side pocket a small booklet entitled, 'Knallerbsen; oder du sollst und wirst lachen!' (Squibs; or you must and shall laugh!) began reading the funny anecdotes of which the little book was full. He read them twelve specimens; he aroused very little mirth, however; only Sanin smiled, from politeness, and he himself, Herr Klüber, after each anecdote, gave vent to a brief, business-like, but still condescending laugh. At twelve o'clock the whole party returned to Soden to the best tavern there.

They had to make arrangements about dinner. Herr Klüber proposed that the dinner should be served in a summer-house closed in on all sides--'im Gartensalon'; but at this point Gemma rebelled and declared that she would have dinner in the open air, in the garden, at one of the little tables set before the tavern; that she was tired of being all the while with the same faces, and she wanted to see fresh ones. At some of the little tables, groups of visitors were already sitting.

While Herr Klüber, yielding condescendingly to 'the caprice of his betrothed,' went off to interview the head waiter, Gemma stood immovable, biting her lips and looking on the ground; she was conscious that Sanin was persistently and, as it were, inquiringly looking at her--it seemed to enrage her. At last Herr Klüber returned, announced that dinner would be ready in half an hour, and proposed their employing the interval in a game of skittles, adding that this was very good for the appetite, he, he, he! Skittles he played in masterly fashion; as he threw the ball, he put himself into amazingly heroic postures, with artistic play of the muscles, with artistic flourish and shake of the leg. In his own way he was an athlete--and was superbly built! His hands, too, were so white and handsome, and he wiped them on such a sumptuous, gold-striped, Indian bandana!

The moment of dinner arrived, and the whole party seated themselves at the table.

XVI

Who does not know what a German dinner is like? Watery soup with knobby dumplings and pieces of cinnamon, boiled beef dry as cork, with white fat attached, slimy potatoes, soft beetroot and mashed horseradish, a bluish eel with French capers and vinegar, a roast joint with jam, and the inevitable 'Mehlspeise,' something of the nature of a pudding with sourish red sauce; but to make up, the beer and wine first-rate! With just such a dinner the tavernkeeper at Soden regaled his customers. The dinner, itself, however, went off satisfactorily. No special liveliness was perceptible, certainly; not even when Herr Klüber proposed the toast 'What we like!' (Was wir lieben!) But at least everything was decorous and seemly. After dinner, coffee was served, thin, reddish, typically German coffee. Herr Klüber, with true gallantry, asked Gemma's permission to smoke a cigar.... But at this point suddenly something occurred, unexpected, and decidedly unpleasant, and even unseemly!

At one of the tables near were sitting several officers of the garrison of the Maine. From their glances and whispering together it was easy to perceive that they were struck by Gemma's beauty; one of them, who had probably stayed in Frankfort, stared at her persistently, as at a figure familiar to him; he obviously knew who she was. He suddenly got up, and glass in hand--all the officers had been drinking hard, and the cloth before them was crowded with bottles--approached the table at which Gemma was sitting. He was a very young flaxen-haired man, with a rather pleasing and even attractive face, but his features were distorted with the wine he had drunk, his cheeks were twitching, his blood-shot eyes wandered, and wore an insolent expression. His companions at first tried to hold him back, but afterwards let him go, interested apparently to see what he would do, and how it would end. Slightly unsteady on his legs, the officer stopped before Gemma, and in an unnaturally screaming voice, in which, in spite of himself, an inward struggle could be discerned, he articulated, 'I drink to the health of the prettiest confectioner in all Frankfort, in all the world (he emptied his glass), and in return I take this flower, picked by her divine little fingers!' He took from the table a rose that lay beside Gemma's plate. At first she was astonished, alarmed, and turned fearfully white ... then alarm was replaced by indignation; she suddenly crimsoned all over, to her very hair--and her eyes, fastened directly on the offender, at the same time darkened and flamed, they were filled with black gloom, and burned with the fire of irrepressible fury. The officer must have been confused by this look; he muttered something unintelligible, bowed, and walked back to his friends. They greeted him with a laugh, and faint applause.

Herr Klüber rose spasmodically from his seat, drew himself up to his full height, and putting on his hat pronounced with dignity, but not too loud, 'Unheard of! Unheard of! Unheard of impertinence!' and at once calling up the waiter, in a severe voice asked for the bill ... more than that, ordered the carriage to be put to, adding that it was impossible for respectable people to frequent the establishment if they were exposed to insult! At those words Gemma, who still sat in her place without stirring--her bosom was heaving violently--Gemma raised her eyes to Herr Klüber ... and she gazed as intently, with the same expression at him as at the officer. Emil was simply shaking with rage.

'Get up, mein Fräulein,' Klüber admonished her with the same severity, 'it is not proper for you to remain here. We will go inside, in the tavern!'

Gemma rose in silence; he offered her his arm, she gave him hers, and he walked into the tavern with a majestic step, which became, with his whole bearing, more majestic and haughty the farther he got from the place where they had dined. Poor Emil dragged himself after them.

But while Herr Klüber was settling up with the waiter, to whom, by way of punishment, he gave not a single kreutzer for himself, Sanin with rapid steps approached the table at which the officers were sitting, and addressing Gemma's assailant, who was at that instant offering her rose to his companions in turns to smell, he uttered very distinctly in French, 'What you have just done, sir, is conduct unworthy of an honest man, unworthy of the uniform you wear, and I have come to tell you you are an ill-bred cur!' The young man leaped on to his feet, but another officer, rather older, checked him with a gesture, made him sit down, and turning to Sanin asked him also in French, 'Was he a relation, brother, or betrothed of the girl?'

'I am nothing to her at all,' cried Sanin, 'I am a Russian, but I cannot look on at such insolence with indifference; but here is my card and my address; monsieur l'officier can find me.'

As he uttered these words, Sanin threw his visiting-card on the table, and at the same moment hastily snatched Gemma's rose, which one of the officers sitting at the table had dropped into his plate. The young man was again on the point of jumping up from the table, but his companion again checked him, saying, 'Dönhof, be quiet! Dönhof, sit still.' Then he got up himself, and putting his hand to the peak of his cap, with a certain shade of respectfulness in his voice and manner, told Sanin that to-morrow morning an officer of the regiment would have the honour of calling upon him. Sanin replied with a short bow, and hurriedly returned to his friends.

Herr Klüber pretended he had not noticed either Sanin's absence nor his interview with the officers; he was urging on the coachman, who was putting in the horses, and was furiously angry at his deliberateness. Gemma too said nothing to Sanin, she did not even look at him; from her knitted brows, from her pale and compressed lips, from her very immobility it could be seen that she was suffering inwardly. Only Emil obviously wanted to speak to Sanin, wanted to question him; he had seen Sanin go up to the officers, he had seen him give them something white--a scrap of paper, a note, or a card.... The poor boy's heart was beating, his cheeks burned, he was ready to throw himself on Sanin's neck, ready to cry, or to go with him at once to crush all those accursed officers into dust and ashes! He controlled himself, however, and did no more than watch intently every movement of his noble Russian friend.

The coachman had at last harnessed the horses; the whole party seated themselves in the carriage. Emil climbed on to the box, after Tartaglia; he was more comfortable there, and had not Klüber, whom he could hardly bear the sight of, sitting opposite to him.

* * * * *

The whole way home Herr Klüber discoursed ... and he discoursed alone; no one, absolutely no one, opposed him, nor did any one agree with him. He especially insisted on the point that they had been wrong in not following his advice when he suggested dining in a shut-up summer-house. There no unpleasantness could have occurred! Then he expressed a few decided and even liberal sentiments on the unpardonable way in which the government favoured the military, neglected their discipline, and did not sufficiently consider the civilian element in society (das bürgerliche Element in der Societät!), and foretold that in time this cause would give rise to discontent, which might well pass into revolution, of which (here he dropped a sympathetic though severe sigh) France had given them a sorrowful example! He added, however, that he personally had the greatest respect for authority, and never ... no, never!... could be a revolutionist--but he could not but express his ... disapprobation at the sight of such licence! Then he made a few general observations on morality and immorality, good-breeding, and the sense of dignity.

During all these lucubrations, Gemma, who even while they were walking before dinner had not seemed quite pleased with Herr Klüber, and had therefore held rather aloof from Sanin, and had been, as it were, embarrassed by his presence--Gemma was unmistakably ashamed of her betrothed! Towards the end of the drive she was positively wretched, and though, as before, she did not address a word to Sanin, she suddenly flung an imploring glance at him.... He, for his part, felt much more sorry for her than indignant with Herr Klüber; he was even secretly, half-consciously, delighted at what had happened in the course of that day, even though he had every reason to expect a challenge next morning.

This miserable partie de plaisir came to an end at last. As he helped Gemma out of the carriage at the confectionery shop, Sanin without a word put into her hand the rose he had recovered. She flushed crimson, pressed his hand, and instantly hid the rose. He did not want to go into the house, though the evening was only just beginning. She did not even invite him. Moreover Pantaleone, who came out on the steps, announced that Frau Lenore was asleep. Emil took a shy good-bye of Sanin; he felt as it were in awe of him; he greatly admired him. Klüber saw Sanin to his lodging, and took leave of him stiffly. The well-regulated German, for all his self-confidence, felt awkward. And indeed every one felt awkward.

But in Sanin this feeling of awkwardness soon passed off. It was replaced by a vague, but pleasant, even triumphant feeling. He walked up and down his room, whistling, and not caring to think about anything, and was very well pleased with himself.

XVII

'I will wait for the officer's visit till ten o'clock,' he reflected next morning, as he dressed,' and then let him come and look for me!' But Germans rise early: it had not yet struck nine when the waiter informed Sanin that the Herr Seconde Lieutenant von Richter wished to see him. Sanin made haste to put on his coat, and told him to ask him up. Herr Richter turned out, contrary to Sanin's expectation, to be a very young man, almost a boy. He tried to give an expression of dignity to his beardless face, but did not succeed at all: he could not even conceal his embarrassment, and as he sat down on a chair, he tripped over his sword, and almost fell. Stammering and hesitating, he announced to Sanin in bad French that he had come with a message from his friend, Baron von Dönhof; that this message was to demand from Herr von Sanin an apology for the insulting expressions used by him on the previous day; and in case of refusal on the part of Herr von Sanin, Baron von Dönhof would ask for satisfaction. Sanin replied that he did not mean to apologise, but was ready to give him satisfaction. Then Herr von Richter, still with the same hesitation, asked with whom, at what time and place, should he arrange the necessary preliminaries. Sanin answered that he might come to him in two hours' time, and that meanwhile, he, Sanin, would try and find a second. ('Who the devil is there I can have for a second?' he was thinking to himself meantime.) Herr von Richter got up and began to take leave ... but at the doorway he stopped, as though stung by a prick of conscience, and turning to Sanin observed that his friend, Baron von Dönhof, could not but recognise ... that he had been ... to a certain extent, to blame himself in the incident of the previous day, and would, therefore, be satisfied with slight apologies ('des exghizes léchères.') To this Sanin replied that he did not intend to make any apology whatever, either slight or considerable, since he did not consider himself to blame. 'In that case,' answered Herr von Richter, blushing more than ever,' you will have to exchange friendly shots--des goups de bisdolet à l'amiaple!'

'I don't understand that at all,' observed Sanin; 'are we to fire in the air or what?'

'Oh, not exactly that,' stammered the sub-lieutenant, utterly disconcerted, 'but I supposed since it is an affair between men of honour ... I will talk to your second,' he broke off, and went away.

Sanin dropped into a chair directly he had gone, and stared at the floor. 'What does it all mean? How is it my life has taken such a turn all of a sudden? All the past, all the future has suddenly vanished, gone,--and all that's left is that I am going to fight some one about something in Frankfort.' He recalled a crazy aunt of his who used to dance and sing:

'O my lieutenant! My little cucumber! My little love! Dance with me, my little dove!'

And he laughed and hummed as she used to: 'O my lieutenant! Dance with me, little dove!' 'But I must act, though, I mustn't waste time,' he cried aloud--jumped up and saw Pantaleone facing him with a note in his hand.

'I knocked several times, but you did not answer; I thought you weren't at home,' said the old man, as he gave him the note. 'From Signorina Gemma.'

Sanin took the note, mechanically, as they say, tore it open, and read it. Gemma wrote to him that she was very anxious--about he knew what--and would be very glad to see him at once.

'The Signorina is anxious,' began Pantaleone, who obviously knew what was in the note, 'she told me to see what you are doing and to bring you to her.'

Sanin glanced at the old Italian, and pondered. A sudden idea flashed upon his brain. For the first instant it struck him as too absurd to be possible.

'After all ... why not?' he asked himself.

'M. Pantaleone!' he said aloud.

The old man started, tucked his chin into his cravat and stared at Sanin.

'Do you know,' pursued Sanin,' what happened yesterday?'

Pantaleone chewed his lips and shook his immense top-knot of hair. 'Yes.'

(Emil had told him all about it directly he got home.)

'Oh, you know! Well, an officer has just this minute left me. That scoundrel challenges me to a duel. I have accepted his challenge. But I have no second. Will you be my second?'

Pantaleone started and raised his eyebrows so high that they were lost under his overhanging hair.

'You are absolutely obliged to fight?' he said at last in Italian; till that instant he had made use of French.

'Absolutely. I can't do otherwise--it would mean disgracing myself for ever.'

'H'm. If I don't consent to be your second you will find some one else.'

'Yes ... undoubtedly.'

Pantaleone looked down. 'But allow me to ask you, Signor de Tsanin, will not your duel throw a slur on the reputation of a certain lady?'

'I don't suppose so; but in any case, there's no help for it.'

'H'm!' Pantaleone retired altogether into his cravat. 'Hey, but that ferroflucto Klüberio--what's he about?' he cried all of a sudden, looking up again.

'He? Nothing.'

'Che!' Pantaleone shrugged his shoulders contemptuously. 'I have, in any case, to thank you,' he articulated at last in an unsteady voice 'that even in my present humble condition you recognise that I am a gentleman--un galant'uomo! In that way you have shown yourself to be a real galant'uomo. But I must consider your proposal.'

'There's no time to lose, dear Signor Ci ... cippa ...'

'Tola,' the old man chimed in. 'I ask only for one hour for reflection.... The daughter of my benefactor is involved in this.... And, therefore, I ought, I am bound, to reflect!... In an hour, in three-quarters of an hour, you shall know my decision.'

'Very well; I will wait.'

'And now ... what answer am I to give to Signorina Gemma?'

Sanin took a sheet of paper, wrote on it, 'Set your mind at rest, dear friend; in three hours' time I will come to you, and everything shall be explained. I thank you from my heart for your sympathy,' and handed this sheet to Pantaleone.

He put it carefully into his side-pocket, and once more repeating 'In an hour!' made towards the door; but turning sharply back, ran up to Sanin, seized his hand, and pressing it to his shirt-front, cried, with his eyes to the ceiling: 'Noble youth! Great heart! (Nobil giovanotto! Gran cuore!) permit a weak old man (a un vecchiotto!) to press your valorous right hand (la vostra valorosa destra!)' Then he skipped back a pace or two, threw up both hands, and went away.

Sanin looked after him ... took up the newspaper and tried to read. But his eyes wandered in vain over the lines: he understood nothing.

XVIII

An hour later the waiter came in again to Sanin, and handed him an old, soiled visiting-card, on which were the following words: 'Pantaleone Cippatola of Varese, court singer (cantante di camera) to his Royal Highness the Duke of Modena'; and behind the waiter in walked Pantaleone himself. He had changed his clothes from top to toe. He had on a black frock coat, reddish with long wear, and a white piqué waistcoat, upon which a pinch-beck chain meandered playfully; a heavy cornelian seal hung low down on to his narrow black trousers. In his right hand he carried a black beaver hat, in his left two stout chamois gloves; he had tied his cravat in a taller and broader bow than ever, and had stuck into his starched shirt-front a pin with a stone, a so-called 'cat's eye.' On his forefinger was displayed a ring, consisting of two clasped hands with a burning heart between them. A smell of garments long laid by, a smell of camphor and of musk hung about the whole person of the old man; the anxious solemnity of his deportment must have struck the most casual spectator! Sanin rose to meet him.

'I am your second,' Pantaleone announced in French, and he bowed bending his whole body forward, and turning out his toes like a dancer. 'I have come for instructions. Do you want to fight to the death?'

'Why to the death, my dear Signor Cippatola? I will not for any consideration take back my words--but I am not a bloodthirsty person!... But come, wait a little, my opponent's second will be here directly. I will go into the next room, and you can make arrangements with him. Believe me I shall never forget your kindness, and I thank you from my heart.'

'Honour before everything!' answered Pantaleone, and he sank into an arm-chair, without waiting for Sanin to ask him to sit down. 'If that ferroflucto spitchebubbio,' he said, passing from French into Italian, 'if that counter-jumper Klüberio could not appreciate his obvious duty or was afraid, so much the worse for him!... A cheap soul, and that's all about it!... As for the conditions of the duel, I am your second, and your interests are sacred to me!... When I lived in Padua there was a regiment of the white dragoons stationed there, and I was very intimate with many of the officers!... I was quite familiar with their whole code. And I used often to converse on these subjects with your principe Tarbuski too.... Is this second to come soon?'

'I am expecting him every minute--and here he comes,' added Sanin, looking into the street.

Pantaleone got up, looked at his watch, straightened his topknot of hair, and hurriedly stuffed into his shoe an end of tape which was sticking out below his trouser-leg, and the young sub-lieutenant came in, as red and embarrassed as ever.

Sanin presented the seconds to each other. 'M. Richter, sous-lieutenant, M. Cippatola, artiste!' The sub-lieutenant was slightly disconcerted by the old man's appearance ... Oh, what would he have said had any one whispered to him at that instant that the 'artist' presented to him was also employed in the culinary art! But Pantaleone assumed an air as though taking part in the preliminaries of duels was for him the most everyday affair: probably he was assisted at this juncture by the recollections of his theatrical career, and he played the part of second simply as a part. Both he and the sub-lieutenant were silent for a little.

'Well? Let us come to business!' Pantaleone spoke first, playing with his cornelian seal.

'By all means,' responded the sub-lieutenant, 'but ... the presence of one of the principals ...'

'I will leave you at once, gentlemen,' cried Sanin, and with a bow he went away into the bedroom and closed the door after him.

He flung himself on the bed and began thinking of Gemma ... but the conversation of the seconds reached him through the shut door. It was conducted in the French language; both maltreated it mercilessly, each after his own fashion. Pantaleone again alluded to the dragoons in Padua, and Principe Tarbuski; the sub-lieutenant to 'exghizes léchères' and 'goups de bistolet à l'amiaple.' But the old man would not even hear of any exghizes! To Sanin's horror, he suddenly proceeded to talk of a certain young lady, an innocent maiden, whose little finger was worth more than all the officers in the world ... (oune zeune damigella innoucenta, qu'a elle sola dans soun péti doa vale pin que tout le zouffissié del mondo.'), and repeated several times with heat: 'It's shameful! it's shameful!' (E ouna onta, ouna onta!) The sub-lieutenant at first made him no reply, but presently an angry quiver could be heard in the young man's voice, and he observed that he had not come there to listen to sermonising.

'At your age it is always a good thing to hear the truth!' cried Pantaleone.

The debate between the seconds several times became stormy; it lasted over an hour, and was concluded at last on the following conditions: 'Baron von Dönhof and M. de Sanin to meet the next day at ten o'clock in a small wood near Hanau, at the distance of twenty paces; each to have the right to fire twice at a signal given by the seconds, the pistols to be single-triggered and not rifle-barrelled.' Herr von Richter withdrew, and Pantaleone solemnly opened the bedroom door, and after communicating the result of their deliberations, cried again: 'Bravo Russo! Bravo giovanotto! You will be victor!'

A few minutes later they both set off to the Rosellis' shop. Sanin, as a preliminary measure, had exacted a promise from Pantaleone to keep the affair of the duel a most profound secret. In reply, the old man had merely held up his finger, and half closing his eyes, whispered twice over, Segredezza! He was obviously in good spirits, and even walked with a freer step. All these unusual incidents, unpleasant though they might be, carried him vividly back to the time when he himself both received and gave challenges--only, it is true, on the stage. Baritones, as we all know, have a great deal of strutting and fuming to do in their parts.

XIX

Emil ran out to meet Sanin--he had been watching for his arrival over an hour--and hurriedly whispered into his ear that his mother knew nothing of the disagreeable incident of the day before, that he must not even hint of it to her, and that he was being sent to Klüber's shop again!... but that he wouldn't go there, but would hide somewhere! Communicating all this information in a few seconds, he suddenly fell on Sanin's shoulder, kissed him impulsively, and rushed away down the street. Gemma met Sanin in the shop; tried to say something and could not. Her lips were trembling a little, while her eyes were half-closed and turned away. He made haste to soothe her by the assurance that the whole affair had ended ... in utter nonsense.

'Has no one been to see you to-day?' she asked.

'A person did come to me and we had an explanation, and we ... we came to the most satisfactory conclusion.'

Gemma went back behind the counter.

'She does not believe me!' he thought ... he went into the next room, however, and there found Frau Lenore.

Her sick headache had passed off, but she was in a depressed state of mind. She gave him a smile of welcome, but warned him at the same time that he would be dull with her to-day, as she was not in a mood to entertain him. He sat down beside her, and noticed that her eyelids were red and swollen.

'What is wrong, Frau Lenore? You've never been crying, surely?'

'Oh!' she whispered, nodding her head towards the room where her daughter was.

'Don't speak of it ... aloud.'

'But what have you been crying for?'

'Ah, M'sieu Sanin, I don't know myself what for!'

'No one has hurt your feelings?'

'Oh no!... I felt very low all of a sudden. I thought of Giovanni Battista ... of my youth ... Then how quickly it had all passed away. I have grown old, my friend, and I can't reconcile myself to that anyhow. I feel I'm just the same as I was ... but old age--it's here! it is here!' Tears came into Frau Lenore's eyes. 'You look at me, I see, and wonder.... But you will get old too, my friend, and will find out how bitter it is!'

Sanin tried to comfort her, spoke of her children, in whom her own youth lived again, even attempted to scoff at her a little, declaring that she was fishing for compliments ... but she quite seriously begged him to leave off, and for the first time he realised that for such a sorrow, the despondency of old age, there is no comfort or cure; one has to wait till it passes off of itself. He proposed a game of tresette, and he could have thought of nothing better. She agreed at once and seemed to get more cheerful.

Sanin played with her until dinner-time and after dinner Pantaleone too took a hand in the game. Never had his topknot hung so low over his forehead, never had his chin retreated so far into his cravat! Every movement was accompanied by such intense solemnity that as one looked at him the thought involuntarily arose, 'What secret is that man guarding with such determination?' But segredezza! segredezza!

During the whole of that day he tried in every possible way to show the profoundest respect for Sanin; at table, passing by the ladies, he solemnly and sedately handed the dishes first to him; when they were at cards he intentionally gave him the game; he announced, apropos of nothing at all, that the Russians were the most great-hearted, brave, and resolute people in the world!

'Ah, you old flatterer!' Sanin thought to himself.

And he was not so much surprised at Signora Roselli's unexpected state of mind, as at the way her daughter behaved to him. It was not that she avoided him ... on the contrary she sat continually a little distance from him, listened to what he said, and looked at him; but she absolutely declined to get into conversation with him, and directly he began talking to her, she softly rose from her place, and went out for some instants. Then she came in again, and again seated herself in some corner, and sat without stirring, seeming meditative and perplexed ... perplexed above all. Frau Lenore herself noticed at last, that she was not as usual, and asked her twice what was the matter.

'Nothing,' answered Gemma; 'you know I am sometimes like this.'

'That is true,' her mother assented.

So passed all that long day, neither gaily nor drearily--neither cheerfully nor sadly. Had Gemma been different--Sanin ... who knows?... might not perhaps have been able to resist the temptation for a little display--or he might simply have succumbed to melancholy at the possibility of a separation for ever.... But as he did not once succeed in getting a word with Gemma, he was obliged to confine himself to striking minor chords on the piano for a quarter of an hour before evening coffee.

Emil came home late, and to avoid questions about Herr Klüber, beat a hasty retreat. The time came for Sanin too to retire.

He began saying good-bye to Gemma. He recollected for some reason Lensky's parting from Olga in Oniegin. He pressed her hand warmly, and tried to get a look at her face, but she turned a little away and released her fingers.

XX

It was bright starlight when he came out on the steps. What multitudes of stars, big and little, yellow, red, blue and white were scattered over the sky! They seemed all flashing, swarming, twinkling unceasingly. There was no moon in the sky, but without it every object could be clearly discerned in the half-clear, shadowless twilight. Sanin walked down the street to the end ... He did not want to go home at once; he felt a desire to wander about a little in the fresh air. He turned back and had hardly got on a level with the house, where was the Rosellis' shop, when one of the windows looking out on the street, suddenly creaked and opened; in its square of blackness--there was no light in the room--appeared a woman's figure, and he heard his name--'Monsieur Dimitri!'

He rushed at once up to the window ... Gemma! She was leaning with her elbows on the window-sill, bending forward.

'Monsieur Dimitri,' she began in a cautious voice, 'I have been wanting all day long to give you something ... but I could not make up my mind to; and just now, seeing you, quite unexpectedly again, I thought that it seems it is fated' ...

Gemma was forced to stop at this word. She could not go on; something extraordinary happened at that instant.

All of a sudden, in the midst of the profound stillness, over the perfectly unclouded sky, there blew such a violent blast of wind, that the very earth seemed shaking underfoot, the delicate starlight seemed quivering and trembling, the air went round in a whirlwind. The wind, not cold, but hot, almost sultry, smote against the trees, the roof of the house, its walls, and the street; it instantaneously snatched off Sanin's hat, crumpled up and tangled Gemma's curls. Sanin's head was on a level with the window-sill; he could not help clinging close to it, and Gemma clutched hold of his shoulders with both hands, and pressed her bosom against his head. The roar, the din, and the rattle lasted about a minute.... Like a flock of huge birds the revelling whirlwind darted revelling away. A profound stillness reigned once more.

Sanin raised his head and saw above him such an exquisite, scared, excited face, such immense, large, magnificent eyes--it was such a beautiful creature he saw, that his heart stood still within him, he pressed his lips to the delicate tress of hair, that had fallen on his bosom, and could only murmur, 'O Gemma!'

'What was that? Lightning?' she asked, her eyes wandering afar, while she did not take her bare arms from his shoulder.

'Gemma!' repeated Sanin.

She sighed, looked around behind her into the room, and with a rapid movement pulling the now faded rose out of her bodice, she threw it to Sanin.

'I wanted to give you this flower.'

He recognised the rose, which he had won back the day before....

But already the window had slammed-to, and through the dark pane nothing could be seen, no trace of white.

Sanin went home without his hat.... He did not even notice that he had lost it.

XXI

It was quite morning when he fell asleep. And no wonder! In the blast of that instantaneous summer hurricane, he had almost as instantaneously felt, not that Gemma was lovely, not that he liked her--that he had known before ... but that he almost ... loved her! As suddenly as that blast of wind, had love pounced down upon him. And then this senseless duel! He began to be tormented by mournful forebodings. And even suppose they didn't kill him.... What could come of his love for this girl, another man's betrothed? Even supposing this 'other man' was no danger, that Gemma herself would care for him, or even cared for him already ... What would come of it? How ask what! Such a lovely creature!...

He walked about the room, sat down to the table, took a sheet of paper, traced a few lines on it, and at once blotted them out.... He recalled Gemma's wonderful figure in the dark window, in the starlight, set all a-fluttering by the warm hurricane; he remembered her marble arms, like the arms of the Olympian goddesses, felt their living weight on his shoulders.... Then he took the rose she had thrown him, and it seemed to him that its half-withered petals exhaled a fragrance of her, more delicate than the ordinary scent of the rose.

'And would they kill him straight away or maim him?'

He did not go to bed, and fell asleep in his clothes on the sofa.

Some one slapped him on the shoulder.... He opened his eyes, and saw Pantaleone.

'He sleeps like Alexander of Macedon on the eve of the battle of Babylon!' cried the old man.

'What o'clock is it?' inquired Sanin.

'A quarter to seven; it's a two hours' drive to Hanau, and we must be the first on the field. Russians are always beforehand with their enemies! I have engaged the best carriage in Frankfort!'

Sanin began washing. 'And where are the pistols?'

'That ferroflucto Tedesco will bring the pistols. He'll bring a doctor too.'

Pantaleone was obviously putting a good face on it as he had done the day before; but when he was seated in the carriage with Sanin, when the coachman had cracked his whip and the horses had started off at a gallop, a sudden change came over the old singer and friend of Paduan dragoons. He began to be confused and positively faint-hearted. Something seemed to have given way in him, like a badly built wall.

'What are we doing, my God, Santissima Madonna!' he cried in an unexpectedly high pipe, and he clutched at his head. 'What am I about, old fool, madman, frenetico?'

Sanin wondered and laughed, and putting his arm lightly round Pantaleone's waist, he reminded him of the French proverb: 'Le vin est tiré--il faut le boire.'

'Yes, yes,' answered the old man, 'we will drain the cup together to the dregs--but still I'm a madman! I'm a madman! All was going on so quietly, so well ... and all of a sudden: ta-ta-ta, tra-ta-ta!'

'Like the tutti in the orchestra,' observed Sanin with a forced smile. 'But it's not your fault.'

'I know it's not. I should think not indeed! And yet ... such insolent conduct! Diavolo, diavolo!' repeated Pantaleone, sighing and shaking his topknot.

The carriage still rolled on and on.

It was an exquisite morning. The streets of Frankfort, which were just beginning to show signs of life, looked so clean and snug; the windows of the houses glittered in flashes like tinfoil; and as soon as the carriage had driven beyond the city walls, from overhead, from a blue but not yet glaring sky, the larks' loud trills showered down in floods. Suddenly at a turn in the road, a familiar figure came from behind a tall poplar, took a few steps forward and stood still. Sanin looked more closely.... Heavens! it was Emil!

'But does he know anything about it?' he demanded of Pantaleone.

'I tell you I'm a madman,' the poor Italian wailed despairingly, almost in a shriek. 'The wretched boy gave me no peace all night, and this morning at last I revealed all to him!'

'So much for your segredezza!' thought Sanin. The carriage had got up to Emil. Sanin told the coachman to stop the horses, and called the 'wretched boy' up to him. Emil approached with hesitating steps, pale as he had been on the day he fainted. He could scarcely stand.

'What are you doing here?' Sanin asked him sternly. 'Why aren't you at home?'

'Let ... let me come with you,' faltered Emil in a trembling voice, and he clasped his hands. His teeth were chattering as in a fever. 'I won't get in your way--only take me.'

'If you feel the very slightest affection or respect for me,' said Sanin, 'you will go at once home or to Herr Klüber's shop, and you won't say one word to any one, and will wait for my return!'

'Your return,' moaned Emil--and his voice quivered and broke, 'but if you're--'

'Emil!' Sanin interrupted--and he pointed to the coachman, 'do control yourself! Emil, please, go home! Listen to me, my dear! You say you love me. Well, I beg you!' He held out his hand to him. Emil bent forward, sobbed, pressed it to his lips, and darting away from the road, ran back towards Frankfort across country.

'A noble heart too,' muttered Pantaleone; but Sanin glanced severely at him.... The old man shrank into the corner of the carriage. He was conscious of his fault; and moreover, he felt more and more bewildered every instant; could it really be he who was acting as second, who had got horses, and had made all arrangements, and had left his peaceful abode at six o'clock? Besides, his legs were stiff and aching.

Sanin thought it as well to cheer him up, and he chanced on the very thing, he hit on the right word.

'Where is your old spirit, Signor Cippatola? Where is il antico valor?'

Signor Cippatola drew himself up and scowled 'Il antico valor?' he boomed in a bass voice. 'Non è ancora spento (it's not all lost yet), il antico valor!'

He put himself in a dignified attitude, began talking of his career, of the opera, of the great tenor Garcia--and arrived at Hanau a hero.

After all, if you think of it, nothing is stronger in the world ... and weaker--than a word!

XXII

The copse in which the duel was to take place was a quarter of a mile from Hanau. Sanin and Pantaleone arrived there first, as the latter had predicted; they gave orders for the carriage to remain outside the wood, and they plunged into the shade of the rather thick and close-growing trees. They had to wait about an hour.

The time of waiting did not seem particularly disagreeable to Sanin; he walked up and down the path, listened to the birds singing, watched the dragonflies in their flight, and like the majority of Russians in similar circumstances, tried not to think. He only once dropped into reflection; he came across a young lime-tree, broken down, in all probability by the squall of the previous night. It was unmistakably dying ... all the leaves on it were dead. 'What is it? an omen?' was the thought that flashed across his mind; but he promptly began whistling, leaped over the very tree, and paced up and down the path. As for Pantaleone, he was grumbling, abusing the Germans, sighing and moaning, rubbing first his back and then his knees. He even yawned from agitation, which gave a very comic expression to his tiny shrivelled-up face. Sanin could scarcely help laughing when he looked at him.

They heard, at last, the rolling of wheels along the soft road. 'It's they!' said Pantaleone, and he was on the alert and drew himself up, not without a momentary nervous shiver, which he made haste, however, to cover with the ejaculation 'B-r-r!' and the remark that the morning was rather fresh. A heavy dew drenched the grass and leaves, but the sultry heat penetrated even into the wood.

Both the officers quickly made their appearance under its arched avenues; they were accompanied by a little thick-set man, with a phlegmatic, almost sleepy, expression of face--the army doctor. He carried in one hand an earthenware pitcher of water--to be ready for any emergency; a satchel with surgical instruments and bandages hung on his left shoulder. It was obvious that he was thoroughly used to such excursions; they constituted one of the sources of his income; each duel yielded him eight gold crowns--four from each of the combatants. Herr von Richter carried a case of pistols, Herr von Dönhof--probably considering it the thing--was swinging in his hand a little cane.

'Pantaleone!' Sanin whispered to the old man; 'if ... if I'm killed--anything may happen--take out of my side pocket a paper--there's a flower wrapped up in it--and give the paper to Signorina Gemma. Do you hear? You promise?'

The old man looked dejectedly at him, and nodded his head affirmatively.... But God knows whether he understood what Sanin was asking him to do.

The combatants and the seconds exchanged the customary bows; the doctor alone did not move as much as an eyelash; he sat down yawning on the grass, as much as to say, 'I'm not here for expressions of chivalrous courtesy.' Herr von Richter proposed to Herr 'Tshibadola' that he should select the place; Herr 'Tshibadola' responded, moving his tongue with difficulty--'the wall' within him had completely given way again. 'You act, my dear sir; I will watch....'

And Herr von Richter proceeded to act. He picked out in the wood close by a very pretty clearing all studded with flowers; he measured out the steps, and marked the two extreme points with sticks, which he cut and pointed. He took the pistols out of the case, and squatting on his heels, he rammed in the bullets; in short, he fussed about and exerted himself to the utmost, continually mopping his perspiring brow with a white handkerchief. Pantaleone, who accompanied him, was more like a man frozen. During all these preparations, the two principals stood at a little distance, looking like two schoolboys who have been punished, and are sulky with their tutors.

The decisive moment arrived.... 'Each took his pistol....'

But at this point Herr von Richter observed to Pantaleone that it was his duty, as the senior second, according to the rules of the duel, to address a final word of advice and exhortation to be reconciled to the combatants, before uttering the fatal 'one! two! three!'; that although this exhortation had no effect of any sort and was, as a rule, nothing but an empty formality, still, by the performance of this formality, Herr Cippatola would be rid of a certain share of responsibility; that, properly speaking, such an admonition formed the direct duty of the so-called 'impartial witness' (unpartheiischer Zeuge) but since they had no such person present, he, Herr von Richter, would readily yield this privilege to his honoured colleague. Pantaleone, who had already succeeded in obliterating himself behind a bush, so as not to see the offending officer at all, at first made out nothing at all of Herr von Richter's speech, especially, as it had been delivered through the nose, but all of a sudden he started, stepped hurriedly forward, and convulsively thumping at his chest, in a hoarse voice wailed out in his mixed jargon: 'A la la la ... Che bestialita! Deux zeun ommes comme ça que si battono--perchè? Che diavolo? An data a casa!'

'I will not consent to a reconciliation,' Sanin intervened hurriedly.

'And I too will not,' his opponent repeated after him.

'Well, then shout one, two, three!' von Richter said, addressing the distracted Pantaleone. The latter promptly ducked behind the bush again, and from there, all huddled together, his eyes screwed up, and his head turned away, he shouted at the top of his voice: 'Una ... due ... tre!'

The first shot was Sanin's, and he missed. His bullet went ping against a tree. Baron von Dönhof shot directly after him--intentionally, to one side, into the air.

A constrained silence followed.... No one moved. Pantaleone uttered a faint moan.

'Is it your wish to go on?' said Dönhof.

'Why did you shoot in the air?' inquired Sanin.

'That's nothing to do with you.'

'Will you shoot in the air the second time?' Sanin asked again.

'Possibly: I don't know.'

'Excuse me, excuse me, gentlemen ...' began von Richter; 'duellists have not the right to talk together. That's out of order.'

'I decline my shot,' said Sanin, and he threw his pistol on the ground.

'And I too do not intend to go on with the duel,' cried Dönhof, and he too threw his pistol on the ground. 'And more than that, I am prepared to own that I was in the wrong--the day before yesterday.'

He moved uneasily, and hesitatingly held out his hand. Sanin went rapidly up to him and shook it. Both the young men looked at each other with a smile, and both their faces flushed crimson.

'Bravi! bravi!' Pantaleone roared suddenly as if he had gone mad, and clapping his hands, he rushed like a whirlwind from behind the bush; while the doctor, who had been sitting on one side on a felled tree, promptly rose, poured the water out of the jug and walked off with a lazy, rolling step out of the wood.

'Honour is satisfied, and the duel is over!' von Richter announced.

'Fuori!' Pantaleone boomed once more, through old associations.

* * * * *

When he had exchanged bows with the officers, and taken his seat in the carriage, Sanin certainly felt all over him, if not a sense of pleasure, at least a certain lightness of heart, as after an operation is over; but there was another feeling astir within him too, a feeling akin to shame.... The duel, in which he had just played his part, struck him as something false, a got-up formality, a common officers' and students' farce. He recalled the phlegmatic doctor, he recalled how he had grinned, that is, wrinkled up his nose when he saw him coming out of the wood almost arm-in-arm with Baron Dönhof. And afterwards when Pantaleone had paid him the four crowns due to him ... Ah! there was something nasty about it!

Yes, Sanin was a little conscience-smitten and ashamed ... though, on the other hand, what was there for him to have done? Could he have left the young officer's insolence unrebuked? could he have behaved like Herr Klüber? He had stood up for Gemma, he had championed her ... that was so; and yet, there was an uneasy pang in his heart, and he was conscience--smitten, and even ashamed.

Not so Pantaleone--he was simply in his glory! He was suddenly possessed by a feeling of pride. A victorious general, returning from the field of battle he has won, could not have looked about him with greater self-satisfaction. Sanin's demeanour during the duel filled him with enthusiasm. He called him a hero, and would not listen to his exhortations and even his entreaties. He compared him to a monument of marble or of bronze, with the statue of the commander in Don Juan! For himself he admitted he had been conscious of some perturbation of mind, 'but, of course, I am an artist,' he observed; 'I have a highly-strung nature, while you are the son of the snows and the granite rocks.'

Sanin was positively at a loss how to quiet the jubilant artist.

* * * * *

Almost at the same place in the road where two hours before they had come upon Emil, he again jumped out from behind a tree, and, with a cry of joy upon his lips, waving his cap and leaping into the air, he rushed straight at the carriage, almost fell under the wheel, and, without waiting for the horses to stop, clambered up over the carriage-door and fairly clung to Sanin.

'You are alive, you are not wounded!' he kept repeating. 'Forgive me, I did not obey you, I did not go back to Frankfort ... I could not! I waited for you here ... Tell me how was it? You ... killed him?'

Sanin with some difficulty pacified Emil and made him sit down.

With great verbosity, with evident pleasure, Pantaleone communicated to him all the details of the duel, and, of course, did not omit to refer again to the monument of bronze and the statue of the commander. He even rose from his seat and, standing with his feet wide apart to preserve his equilibrium, folding his arm on his chest and looking contemptuously over his shoulder, gave an ocular representation of the commander--Sanin! Emil listened with awe, occasionally interrupting the narrative with an exclamation, or swiftly getting up and as swiftly kissing his heroic friend.

The carriage wheels rumbled over the paved roads of Frankfort, and stopped at last before the hotel where Sanin was living.

Escorted by his two companions, he went up the stairs, when suddenly a woman came with hurried steps out of the dark corridor; her face was hidden by a veil, she stood still, facing Sanin, wavered a little, gave a trembling sigh, at once ran down into the street and vanished, to the great astonishment of the waiter, who explained that 'that lady had been for over an hour waiting for the return of the foreign gentleman.' Momentary as was the apparition, Sanin recognised Gemma. He recognised her eyes under the thick silk of her brown veil.

'Did Fräulein Gemma know, then?'... he said slowly in a displeased voice in German, addressing Emil and Pantaleone, who were following close on his heels.

Emil blushed and was confused.

'I was obliged to tell her all,' he faltered; 'she guessed, and I could not help it.... But now that's of no consequence,' he hurried to add eagerly, 'everything has ended so splendidly, and she has seen you well and uninjured!'

Sanin turned away.

'What a couple of chatterboxes you are!' he observed in a tone of annoyance, as he went into his room and sat down on a chair.

'Don't be angry, please,' Emil implored.

'Very well, I won't be angry'--(Sanin was not, in fact, angry--and, after all, he could hardly have desired that Gemma should know nothing about it). 'Very well ... that's enough embracing. You get along now. I want to be alone. I'm going to sleep. I'm tired.'

'An excellent idea!' cried Pantaleone. 'You need repose! You have fully earned it, noble signor! Come along, Emilio! On tip-toe! On tip-toe! Sh--sh--sh!'

When he said he wanted to go to sleep, Sanin had simply wished to get rid of his companions; but when he was left alone, he was really aware of considerable weariness in all his limbs; he had hardly closed his eyes all the preceding night, and throwing himself on his bed he fell immediately into a sound sleep.

XXIII

He slept for some hours without waking. Then he began to dream that he was once more fighting a duel, that the antagonist standing facing him was Herr Klüber, and on a fir-tree was sitting a parrot, and this parrot was Pantaleone, and he kept tapping with his beak: one, one, one!

'One ... one ... one!' he heard the tapping too distinctly; he opened his eyes, raised his head ... some one was knocking at his door.

'Come in!' called Sanin.

The waiter came in and answered that a lady very particularly wished to see him.

'Gemma!' flashed into his head ... but the lady turned out to be her mother, Frau Lenore.

Directly she came in, she dropped at once into a chair and began to cry.

'What is the matter, my dear, good Madame Roselli?' began Sanin, sitting beside her and softly touching her hand. 'What has happened? calm yourself, I entreat you.'

'Ah, Herr Dimitri, I am very ... very miserable!'

'You are miserable?'

'Ah, very! Could I have foreseen such a thing? All of a sudden, like thunder from a clear sky ...'

She caught her breath.

'But what is it? Explain! Would you like a glass of water?'

'No, thank you.' Frau Lenore wiped her eyes with her handkerchief and began to cry with renewed energy. 'I know all, you see! All!'

'All? that is to say?'

'Everything that took place to-day! And the cause ... I know that too! You acted like an honourable man; but what an unfortunate combination of circumstances! I was quite right in not liking that excursion to Soden ... quite right!' (Frau Lenore had said nothing of the sort on the day of the excursion, but she was convinced now that she had foreseen 'all' even then.) 'I have come to you as to an honourable man, as to a friend, though I only saw you for the first time five days ago.... But you know I am a widow, a lonely woman.... My daughter ...'

Tears choked Frau Lenore's voice. Sanin did not know what to think. 'Your daughter?' he repeated.

'My daughter, Gemma,' broke almost with a groan from Frau Lenore, behind the tear-soaked handkerchief, 'informed me to-day that she would not marry Herr Klüber, and that I must refuse him!'

Sanin positively started back a little; he had not expected that.

'I won't say anything now,' Frau Lenore went on, 'of the disgrace of it, of its being something unheard of in the world for a girl to jilt her betrothed; but you see it's ruin for us, Herr Dimitri!' Frau Lenore slowly and carefully twisted up her handkerchief in a tiny, tiny little ball, as though she would enclose all her grief within it. 'We can't go on living on the takings of our shop, Herr Dimitri! and Herr Klüber is very rich, and will be richer still. And what is he to be refused for? Because he did not defend his betrothed? Allowing that was not very handsome on his part, still, he's a civilian, has not had a university education, and as a solid business man, it was for him to look with contempt on the frivolous prank of some unknown little officer. And what sort of insult was it, after all, Herr Dimitri?'

'Excuse me, Frau Lenore, you seem to be blaming me.'

'I am not blaming you in the least, not in the least! You're quite another matter; you are, like all Russians, a military man ...'

'Excuse me, I'm not at all ...'

'You're a foreigner, a visitor, and I'm grateful to you,' Frau Lenore went on, not heeding Sanin. She sighed, waved her hands, unwound her handkerchief again, and blew her nose. Simply from the way in which her distress expressed itself, it could be seen that she had not been born under a northern sky.

'And how is Herr Klüber to look after his shop, if he is to fight with his customers? It's utterly inconsistent! And now I am to send him away! But what are we going to live on? At one time we were the only people that made angel cakes, and nougat of pistachio nuts, and we had plenty of customers; but now all the shops make angel cakes! Only consider; even without this, they'll talk in the town about your duel ... it's impossible to keep it secret. And all of a sudden, the marriage broken off! It will be a scandal, a scandal! Gemma is a splendid girl, she loves me; but she's an obstinate republican, she doesn't care for the opinion of others. You're the only person that can persuade her!'

Sanin was more amazed than ever. 'I, Frau Lenore?'

'Yes, you alone ... you alone. That's why I have come to you; I could not think of anything else to do! You are so clever, so good! You have fought in her defence. She will trust you! She is bound to trust you--why, you have risked your life on her account! You will make her understand, for I can do nothing more; you make her understand that she will bring ruin on herself and all of us. You saved my son--save my daughter too! God Himself sent you here ... I am ready on my knees to beseech you....' And Frau Lenore half rose from her seat as though about to fall at Sanin's feet.... He restrained her.

'Frau Lenore! For mercy's sake! What are you doing?'

She clutched his hand impulsively. 'You promise ...'

'Frau Lenore, think a moment; what right have I ...'

'You promise? You don't want me to die here at once before your eyes?'

Sanin was utterly nonplussed. It was the first time in his life he had had to deal with any one of ardent Italian blood.

'I will do whatever you like,' he cried. 'I will talk to Fräulein Gemma....'

Frau Lenore uttered a cry of delight.

'Only I really can't say what result will come of it ...'

'Ah, don't go back, don't go back from your words!' cried Frau Lenore in an imploring voice; 'you have already consented! The result is certain to be excellent. Any way, I can do nothing more! She won't listen to me!'

'Has she so positively stated her disinclination to marry Herr Klüber?' Sanin inquired after a short silence.

'As if she'd cut the knot with a knife! She's her father all over, Giovanni Battista! Wilful girl!'

'Wilful? Is she!' ... Sanin said slowly. 'Yes ... yes ... but she's an angel too. She will mind you. Are you coming soon? Oh, my dear Russian friend!' Frau Lenore rose impulsively from her chair, and as impulsively clasped the head of Sanin, who was sitting opposite her. 'Accept a mother's blessing--and give me some water!'

Sanin brought Signora Roselli a glass of water, gave her his word of honour that he would come directly, escorted her down the stairs to the street, and when he was back in his own room, positively threw up his arms and opened his eyes wide in his amazement.

'Well,' he thought, 'well, now life is going round in a whirl! And it's whirling so that I'm giddy.' He did not attempt to look within, to realise what was going on in himself: it was all uproar and confusion, and that was all he knew! What a day it had been! His lips murmured unconsciously: 'Wilful ... her mother says ... and I have got to advise her ... her! And advise her what?'

Sanin, really, was giddy, and above all this whirl of shifting sensations and impressions and unfinished thoughts, there floated continually the image of Gemma, the image so ineffaceably impressed on his memory on that hot night, quivering with electricity, in that dark window, in the light of the swarming stars!

XXIV

With hesitating footsteps Sanin approached the house of Signora Roselli. His heart was beating violently; he distinctly felt, and even heard it thumping at his side. What should he say to Gemma, how should he begin? He went into the house, not through the shop, but by the back entrance. In the little outer room he met Frau Lenore. She was both relieved and scared at the sight of him.

'I have been expecting you,' she said in a whisper, squeezing his hand with each of hers in turn. 'Go into the garden; she is there. Mind, I rely on you!'

Sanin went into the garden.

Gemma was sitting on a garden-seat near the path, she was sorting a big basket full of cherries, picking out the ripest, and putting them on a dish. The sun was low--it was seven o'clock in the evening--and there was more purple than gold in the full slanting light with which it flooded the whole of Signora Roselli's little garden. From time to time, faintly audibly, and as it were deliberately, the leaves rustled, and belated bees buzzed abruptly as they flew from one flower to the next, and somewhere a dove was cooing a never-changing, unceasing note. Gemma had on the same round hat in which she had driven to Soden. She peeped at Sanin from under its turned-down brim, and again bent over the basket.

Sanin went up to Gemma, unconsciously making each step shorter, and ... and ... and nothing better could he find to say to her than to ask why was she sorting the cherries.

Gemma was in no haste to reply.

'These are riper,' she observed at last, 'they will go into jam, and those are for tarts. You know the round sweet tarts we sell?'

As she said those words, Gemma bent her head still lower, and her right hand with two cherries in her fingers was suspended in the air between the basket and the dish.

'May I sit by you?' asked Sanin.

'Yes.' Gemma moved a little along on the seat. Sanin placed himself beside her. 'How am I to begin?' was his thought. But Gemma got him out of his difficulty.

'You have fought a duel to-day,' she began eagerly, and she turned all her lovely, bashfully flushing face to him--and what depths of gratitude were shining in those eyes! 'And you are so calm! I suppose for you danger does not exist?'

'Oh, come! I have not been exposed to any danger. Everything went off very satisfactorily and inoffensively.'

Gemma passed her finger to right and to left before her eyes ... Also an Italian gesture. 'No! no! don't say that! You won't deceive me! Pantaleone has told me everything!'

'He's a trustworthy witness! Did he compare me to the statue of the commander?'

'His expressions may be ridiculous, but his feeling is not ridiculous, nor is what you have done to-day. And all that on my account ... for me ... I shall never forget it.'

'I assure you, Fräulein Gemma ...'

'I shall never forget it,' she said deliberately; once more she looked intently at him, and turned away.

He could now see her delicate pure profile, and it seemed to him that he had never seen anything like it, and had never known anything like what he was feeling at that instant. His soul was on fire.

'And my promise!' flashed in among his thoughts.

'Fräulein Gemma ...' he began after a momentary hesitation.

'What?'

She did not turn to him, she went on sorting the cherries, carefully taking them by their stalks with her finger-tips, assiduously picking out the leaves.... But what a confiding caress could be heard in that one word,

'What?'

'Has your mother said nothing to you ... about ...'

'About?'

'About me?'

Gemma suddenly flung back into the basket the cherries she had taken.

'Has she been talking to you?' she asked in her turn.

'Yes.'

'What has she been saying to you?'

'She told me that you ... that you have suddenly decided to change ... your former intention.' Gemma's head was bent again. She vanished altogether under her hat; nothing could be seen but her neck, supple and tender as the stalk of a big flower.

'What intentions?'

'Your intentions ... relative to ... the future arrangement of your life.'

'That is ... you are speaking ... of Herr Klüber?'

'Yes.'

'Mamma told you I don't want to be Herr Klüber's wife?'

'Yes.'

Gemma moved forward on the seat. The basket tottered, fell ... a few cherries rolled on to the path. A minute passed by ... another.

'Why did she tell you so?' he heard her voice saying. Sanin as before could only see Gemma's neck. Her bosom rose and fell more rapidly than before.

'Why? Your mother thought that as you and I, in a short time, have become, so to say, friends, and you have some confidence in me, I am in a position to give you good advice--and you would mind what I say.'

Gemma's hands slowly slid on to her knees. She began plucking at the folds of her dress.

'What advice will you give me, Monsieur Dimitri?' she asked, after a short pause.

Sanin saw that Gemma's fingers were trembling on her knees.... She was only plucking at the folds of her dress to hide their trembling. He softly laid his hand on those pale, shaking fingers.

'Gemma,' he said, 'why don't you look at me?' She instantly tossed her hat back on to her shoulder, and bent her eyes upon him, confiding and grateful as before. She waited for him to speak.... But the sight of her face had bewildered, and, as it were, dazed him. The warm glow of the evening sun lighted up her youthful head, and the expression of that head was brighter, more radiant than its glow.

'I will mind what you say, Monsieur Dimitri,' she said, faintly smiling, and faintly arching her brows; 'but what advice do you give me?'

'What advice?' repeated Sanin. 'Well, you see, your mother considers that to dismiss Herr Klüber simply because he did not show any special courage the day before yesterday ...'

'Simply because?' said Gemma. She bent down, picked up the basket, and set it beside her on the garden seat.

'That ... altogether ... to dismiss him, would be, on your part ... unreasonable; that it is a step, all the consequences of which ought to be thoroughly weighed; that in fact the very position of your affairs imposes certain obligations on every member of your family ...'

'All that is mamma's opinion,' Gemma interposed; 'those are her words; but what is your opinion?'

'Mine?' Sanin was silent for a while. He felt a lump rising in his throat and catching at his breath. 'I too consider,' he began with an effort ...

Gemma drew herself up. 'Too? You too?'

'Yes ... that is ...' Sanin was unable, positively unable to add a single word more.

'Very well,' said Gemma. 'If you, as a friend, advise me to change my decision--that is, not to change my former decision--I will think it over.' Not knowing what she was doing, she began to tip the cherries back from the plate into the basket.... 'Mamma hopes that I will mind what you say. Well ... perhaps I really will mind what you say.'

'But excuse me, Fräulein Gemma, I should like first to know what reason impelled you ...'

'I will mind what you say,' Gemma repeated, her face right up to her brows was working, her cheeks were white, she was biting her lower lip. 'You have done so much for me, that I am bound to do as you wish; bound to carry out your wishes. I will tell mamma ... I will think again. Here she is, by the way, coming here.'

Frau Lenore did in fact appear in the doorway leading from the house to the garden. She was in an agony of impatience; she could not keep still. According to her calculations, Sanin must long ago have finished all he had to say to Gemma, though his conversation with her had not lasted a quarter of an hour.

'No, no, no, for God's sake, don't tell her anything yet,' Sanin articulated hurriedly, almost in alarm. 'Wait a little ... I will tell you, I will write to you ... and till then don't decide on anything ... wait!'

He pressed Gemma's hand, jumped up from the seat, and to Frau Lenore's great amazement, rushed past her, and raising his hat, muttered something unintelligible--and vanished.

She went up to her daughter.

'Tell me, please, Gemma...'

The latter suddenly got up and hugged her. 'Dear mamma, can you wait a little, a tiny bit ... till to-morrow? Can you? And till to-morrow not a word?... Ah!...'

She burst into sudden happy tears, incomprehensible to herself. This surprised Frau Lenore, the more as the expression of Gemma's face was far from sorrowful,--rather joyful in fact.

'What is it?' she asked. 'You never cry and here, all at once ...'

'Nothing, mamma, never mind! you only wait. We must both wait a little. Don't ask me anything till to-morrow--and let us sort the cherries before the sun has set.'

'But you will be reasonable?'

'Oh, I'm very reasonable!' Gemma shook her head significantly. She began to make up little bunches of cherries, holding them high above her flushed face. She did not wipe away her tears; they had dried of themselves.

XXV

Almost running, Sanin returned to his hotel room. He felt, he knew that only there, only by himself, would it be clear to him at last what was the matter, what was happening to him. And so it was; directly he had got inside his room, directly he had sat down to the writing-table, with both elbows on the table and both hands pressed to his face, he cried in a sad and choked voice, 'I love her, love her madly!' and he was all aglow within, like a fire when a thick layer of dead ash has been suddenly blown off. An instant more ... and he was utterly unable to understand how he could have sat beside her ... her!--and talked to her and not have felt that he worshipped the very hem of her garment, that he was ready as young people express it 'to die at her feet.' The last interview in the garden had decided everything. Now when he thought of her, she did not appear to him with blazing curls in the shining starlight; he saw her sitting on the garden-seat, saw her all at once tossing back her hat, and gazing at him so confidingly ... and the tremor and hunger of love ran through all his veins. He remembered the rose which he had been carrying about in his pocket for three days: he snatched it out, and pressed it with such feverish violence to his lips, that he could not help frowning with the pain. Now he considered nothing, reflected on nothing, did not deliberate, and did not look forward; he had done with all his past, he leaped forward into the future; from the dreary bank of his lonely bachelor life he plunged headlong into that glad, seething, mighty torrent--and little he cared, little he wished to know, where it would carry him, or whether it would dash him against a rock! No more the soft-flowing currents of the Uhland song, which had lulled him not long ago ... These were mighty, irresistible torrents! They rush flying onwards and he flies with them....

He took a sheet of paper, and without blotting out a word, almost with one sweep of the pen, wrote as follows:--

'DEAR GEMMA,--You know what advice I undertook to give you, what your mother desired, and what she asked of me; but what you don't know and what I must tell you now is, that I love you, love you with all the ardour of a heart that loves for the first time! This passion has flamed up in me suddenly, but with such force that I can find no words for it! When your mother came to me and asked me, it was still only smouldering in me, or else I should certainly, as an honest man, have refused to carry out her request.... The confession I make you now is the confession of an honest man. You ought to know whom you have to do with--between us there should exist no misunderstandings. You see that I cannot give you any advice.... I love you, love you, love you--and I have nothing else--either in my head or in my heart!!

'DM. SANIN.'

When he had folded and sealed this note, Sanin was on the point of ringing for the waiter and sending it by him.... 'No!' he thought, 'it would be awkward.... By Emil? But to go to the shop, and seek him out there among the other employés, would be awkward too. Besides, it's dark by now, and he has probably left the shop.' Reflecting after this fashion, Sanin put on his hat, however, and went into the street; he turned a corner, another, and to his unspeakable delight, saw Emil before him. With a satchel under his arm, and a roll of papers in his hand, the young enthusiast was hurrying home.

'They may well say every lover has a lucky star,' thought Sanin, and he called to Emil.

The latter turned and at once rushed to him.

Sanin cut short his transports, handed him the note, and explained to whom and how he was to deliver it.... Emil listened attentively.

'So that no one sees?' he inquired, assuming an important and mysterious air, that said, 'We understand the inner meaning of it all!'

'Yes, my friend,' said Sanin and he was a little disconcerted; however, he patted Emil on the cheek.... 'And if there should be an answer.... You will bring me the answer, won't you? I will stay at home.'

'Don't worry yourself about that!' Emil whispered gaily; he ran off, and as he ran nodded once more to him.

Sanin went back home, and without lighting a candle, flung himself on the sofa, put his hands behind his head, and abandoned himself to those sensations of newly conscious love, which it is no good even to describe. One who has felt them knows their languor and sweetness; to one who has felt them not, one could never make them known.

The door opened--Emil's head appeared.

'I have brought it,' he said in a whisper: 'here it is--the answer!'

He showed and waved above his head a folded sheet of paper.

Sanin leaped up from the sofa and snatched it out of Emil's hand. Passion was working too powerfully within him: he had no thought of reserve now, nor of the observance of a suitable demeanour--even before this boy, her brother. He would have been scrupulous, he would have controlled himself--if he could!

He went to the window, and by the light of a street lamp which stood just opposite the house, he read the following lines:--

I beg you, I beseech you--don't come to see us, don't show yourself all day to-morrow. It's necessary, absolutely necessary for me, and then everything shall be settled. I know you will not say no, because ...

'GEMMA.'

Sanin read this note twice through. Oh, how touchingly sweet and beautiful her handwriting seemed to him! He thought a little, and turning to Emil, who, wishing to give him to understand what a discreet young person he was, was standing with his face to the wall, and scratching on it with his finger-nails, he called him aloud by name.

Emil ran at once to Sanin. 'What do you want me to do?'

'Listen, my young friend...'

'Monsieur Dimitri,' Emil interrupted in a plaintive voice, 'why do you address me so formally?'

Sanin laughed. 'Oh, very well. Listen, my dearest boy--(Emil gave a little skip of delight)--listen; there you understand, there, you will say, that everything shall be done exactly as is wished--(Emil compressed his lips and nodded solemnly)--and as for me ... what are you doing to-morrow, my dear boy?'

'I? what am I doing? What would you like me to do?'

'If you can, come to me early in the morning--and we will walk about the country round Frankfort till evening.... Would you like to?'

Emil gave another little skip. 'I say, what in the world could be jollier? Go a walk with you--why, it's simply glorious! I'll be sure to come!'

'And if they won't let you?'

'They will let me!'

'Listen ... Don't say there that I asked you to come for the whole day.'

'Why should I? But I'll get away all the same! What does it matter?'

Emil warmly kissed Sanin, and ran away.

Sanin walked up and down the room a long while, and went late to bed. He gave himself up to the same delicate and sweet sensations, the same joyous thrill at facing a new life. Sanin was very glad that the idea had occurred to him to invite Emil to spend the next day with him; he was like his sister. 'He will recall her,' was his thought.

But most of all, he marvelled how he could have been yesterday other than he was to-day. It seemed to him that he had loved Gemma for all time; and that he had loved her just as he loved her to-day.

XXVI

At eight o'clock next morning, Emil arrived at Sanin's hotel leading Tartaglia by a string. Had he sprung of German parentage, he could not have shown greater practicality. He had told a lie at home; he had said he was going for a walk with Sanin till lunch-time, and then going to the shop. While Sanin was dressing, Emil began to talk to him, rather hesitatingly, it is true, about Gemma, about her rupture with Herr Klüber; but Sanin preserved an austere silence in reply, and Emil, looking as though he understood why so serious a matter should not be touched on lightly, did not return to the subject, and only assumed from time to time an intense and even severe expression.

After drinking coffee, the two friends set off together--on foot, of course--to Hausen, a little village lying a short distance from Frankfort, and surrounded by woods. The whole chain of the Taunus mountains could be seen clearly from there. The weather was lovely; the sunshine was bright and warm, but not blazing hot; a fresh wind rustled briskly among the green leaves; the shadows of high, round clouds glided swiftly and smoothly in small patches over the earth. The two young people soon got out of the town, and stepped out boldly and gaily along the well-kept road. They reached the woods, and wandered about there a long time; then they lunched very heartily at a country inn; then climbed on to the mountains, admired the views, rolled stones down and clapped their hands, watching the queer droll way in which the stones hopped along like rabbits, till a man passing below, unseen by them, began abusing them in a loud ringing voice. Then they lay full length on the short dry moss of yellowish-violet colour; then they drank beer at another inn; ran races, and tried for a wager which could jump farthest. They discovered an echo, and began to call to it; sang songs, hallooed, wrestled, broke up dry twigs, decked their hats with fern, and even danced. Tartaglia, as far as he could, shared in all these pastimes; he did not throw stones, it is true, but he rolled head over heels after them; he howled when they were singing, and even drank beer, though with evident aversion; he had been trained in this art by a student to whom he had once belonged. But he was not prompt in obeying Emil--not as he was with his master Pantaleone--and when Emil ordered him to 'speak,' or to 'sneeze,' he only wagged his tail and thrust out his tongue like a pipe.

The young people talked, too. At the beginning of the walk, Sanin, as the elder, and so more reflective, turned the conversation on fate and predestination, and the nature and meaning of man's destiny; but the conversation quickly took a less serious turn. Emil began to question his friend and patron about Russia, how duels were fought there, and whether the women there were beautiful, and whether one could learn Russian quickly, and what he had felt when the officer took aim at him. Sanin, on his side, questioned Emil about his father, his mother, and in general about their family affairs, trying every time not to mention Gemma's name--and thinking only of her. To speak more precisely, it was not of her he was thinking, but of the morrow, the mysterious morrow which was to bring him new, unknown happiness! It was as though a veil, a delicate, bright veil, hung faintly fluttering before his mental vision; and behind this veil he felt ... felt the presence of a youthful, motionless, divine image, with a tender smile on its lips, and eyelids severely--with affected seventy--downcast. And this image was not the face of Gemma, it was the face of happiness itself! For, behold, at last his hour had come, the veil had vanished, the lips were parting, the eyelashes are raised--his divinity has looked upon him--and at once light as from the sun, and joy and bliss unending! He dreamed of this morrow--and his soul thrilled with joy again in the melting torture of ever-growing expectation!

And this expectation, this torture, hindered nothing. It accompanied every action, and did not prevent anything. It did not prevent him from dining capitally at a third inn with Emil; and only occasionally, like a brief flash of lightning, the thought shot across him, What if any one in the world knew? This suspense did not prevent him from playing leap-frog with Emil after dinner. The game took place on an open green lawn. And the confusion, the stupefaction of Sanin may be imagined! At the very moment when, accompanied by a sharp bark from Tartaglia, he was flying like a bird, with his legs outspread over Emil, who was bent double, he suddenly saw on the farthest border of the lawn two officers, in whom he recognised at once his adversary and his second, Herr von Dönhof and Herr von Richter! Each of them had stuck an eyeglass in his eye, and was staring at him, chuckling!... Sanin got on his feet, turned away hurriedly, put on the coat he had flung down, jerked out a word to Emil; the latter, too, put on his jacket, and they both immediately made off.

It was late when they got back to Frankfort. 'They'll scold me,' Emil said to Sanin as he said good-bye to him. 'Well, what does it matter? I've had such a splendid, splendid day!'

When he got home to his hotel, Sanin found a note there from Gemma. She fixed a meeting with him for next day, at seven o'clock in the morning, in one of the public gardens which surround Frankfort on all sides.

How his heart throbbed! How glad he was that he had obeyed her so unconditionally! And, my God, what was promised ... what was not promised, by that unknown, unique, impossible, and undubitably certain morrow!

He feasted his eyes on Gemma's note. The long, elegant tail of the letter G, the first letter of her name, which stood at the bottom of the sheet, reminded him of her lovely fingers, her hand.... He thought that he had not once touched that hand with his lips.... 'Italian women,' he mused, 'in spite of what's said of them, are modest and severe.... And Gemma above all! Queen ... goddess ... pure, virginal marble....'

'But the time will come; and it is not far off....' There was that night in Frankfort one happy man.... He slept; but he might have said of himself in the words of the poet:

'I sleep ... but my watchful heart sleeps not.'

And it fluttered as lightly as a butterfly flutters his wings, as he stoops over the flowers in the summer sunshine.

XXVII

At five o'clock Sanin woke up, at six he was dressed, at half-past six he was walking up and down the public garden within sight of the little arbour which Gemma had mentioned in her note. It was a still, warm, grey morning. It sometimes seemed as though it were beginning to rain; but the outstretched hand felt nothing, and only looking at one's coat-sleeve, one could see traces of tiny drops like diminutive beads, but even these were soon gone. It seemed there had never been a breath of wind in the world. Every sound moved not, but was shed around in the stillness. In the distance was a faint thickening of whitish mist; in the air there was a scent of mignonette and white acacia flowers.

In the streets the shops were not open yet, but there were already some people walking about; occasionally a solitary carriage rumbled along ... there was no one walking in the garden. A gardener was in a leisurely way scraping the path with a spade, and a decrepit old woman in a black woollen cloak was hobbling across the garden walk. Sanin could not for one instant mistake this poor old creature for Gemma; and yet his heart leaped, and he watched attentively the retreating patch of black.

Seven! chimed the clock on the tower. Sanin stood still. Was it possible she would not come? A shiver of cold suddenly ran through his limbs. The same shiver came again an instant later, but from a different cause. Sanin heard behind him light footsteps, the light rustle of a woman's dress.... He turned round: she!

Gemma was coming up behind him along the path. She was wearing a grey cape and a small dark hat. She glanced at Sanin, turned her head away, and catching him up, passed rapidly by him.

'Gemma,' he articulated, hardly audibly.

She gave him a little nod, and continued to walk on in front. He followed her.

He breathed in broken gasps. His legs shook under him.

Gemma passed by the arbour, turned to the right, passed by a small flat fountain, in which the sparrows were splashing busily, and, going behind a clump of high lilacs, sank down on a bench. The place was snug and hidden. Sanin sat down beside her.

A minute passed, and neither he nor she uttered a word. She did not even look at him; and he gazed not at her face, but at her clasped hands, in which she held a small parasol. What was there to tell, what was there to say, which could compare, in importance, with the simple fact of their presence there, together, alone, so early, so close to each other.

'You ... are not angry with me?' Sanin articulated at last.

It would have been difficult for Sanin to have said anything more foolish than these words ... he was conscious of it himself.... But, at any rate, the silence was broken.

'Angry?' she answered. 'What for? No.'

'And you believe me?' he went on.

'In what you wrote?'

'Yes.'

Gemma's head sank, and she said nothing. The parasol slipped out of her hands. She hastily caught it before it dropped on the path.

'Ah, believe me! believe what I wrote to you!' cried Sanin; all his timidity suddenly vanished, he spoke with heat; 'if there is truth on earth--sacred, absolute truth--it's that I love, love you passionately, Gemma.'

She flung him a sideway, momentary glance, and again almost dropped the parasol.

'Believe me! believe me!' he repeated. He besought her, held out his hands to her, and did not dare to touch her. 'What do you want me to do ... to convince you?'

She glanced at him again.

'Tell me, Monsieur Dimitri,' she began; 'the day before yesterday, when you came to talk to me, you did not, I imagine, know then ... did not feel ...'

'I felt it,' Sanin broke in; 'but I did not know it. I have loved you from the very instant I saw you; but I did not realise at once what you had become to me! And besides, I heard that you were solemnly betrothed.... As far as your mother's request is concerned--in the first place, how could I refuse?--and secondly, I think I carried out her request in such a way that you could guess....'

They heard a heavy tread, and a rather stout gentleman with a knapsack over his shoulder, apparently a foreigner, emerged from behind the clump, and staring, with the unceremoniousness of a tourist, at the couple sitting on the garden-seat, gave a loud cough and went on.

'Your mother,' Sanin began, as soon as the sound of the heavy footsteps had ceased, 'told me your breaking off your engagement would cause a scandal'--Gemma frowned a little--that I was myself in part responsible for unpleasant gossip, and that ... consequently ... I was, to some extent, under an obligation to advise you not to break with your betrothed, Herr Klüber....'

'Monsieur Dimitri,' said Gemma, and she passed her hand over her hair on the side turned towards Sanin, 'don't, please, call Herr Klüber my betrothed. I shall never be his wife. I have broken with him.'

'You have broken with him? when?'

'Yesterday.'

'You saw him?'

'Yes. At our house. He came to see us.'

'Gemma? Then you love me?'

She turned to him.

'Should ... I have come here, if not?' she whispered, and both her hands fell on the seat.

Sanin snatched those powerless, upturned palms, and pressed them to his eyes, to his lips.... Now the veil was lifted of which he had dreamed the night before! Here was happiness, here was its radiant form!

He raised his head, and looked at Gemma, boldly and directly. She, too, looked at him, a little downwards. Her half-shut eyes faintly glistened, dim with light, blissful tears. Her face was not smiling ... no! it laughed, with a blissful, noiseless laugh.

He tried to draw her to him, but she drew back, and never ceasing to laugh the same noiseless laugh, shook her head. 'Wait a little,' her happy eyes seemed to say.

'O Gemma!' cried Sanin: 'I never dreamed that you would love me!'

'I did not expect this myself,' Gemma said softly.

'How could I ever have dreamed,' Sanin went on, 'when I came to Frankfort, where I only expected to remain a few hours, that I should find here the happiness of all my life!'

'All your life? Really?' queried Gemma.

'All my life, for ever and ever!' cried Sanin with fresh ardour.

The gardener's spade suddenly scraped two paces from where they were sitting.

'Let's go home,' whispered Gemma: 'we'll go together--will you?'

If she had said to him at that instant 'Throw yourself in the sea, will you?' he would have been flying headlong into the ocean before she had uttered the last word.

They went together out of the garden and turned homewards, not by the streets of the town, but through the outskirts.

XXVIII

Sanin walked along, at one time by Gemma's side, at another time a little behind her. He never took his eyes off her and never ceased smiling. She seemed to hasten ... seemed to linger. As a matter of fact, they both--he all pale, and she all flushed with emotion--were moving along as in a dream. What they had done together a few instants before--that surrender of each soul to another soul--was so intense, so new, and so moving; so suddenly everything in their lives had been changed and displaced that they could not recover themselves, and were only aware of a whirlwind carrying them along, like the whirlwind on that night, which had almost flung them into each other's arms. Sanin walked along, and felt that he even looked at Gemma with other eyes; he instantly noted some peculiarities in her walk, in her movements,--and heavens! how infinitely sweet and precious they were to him! And she felt that that was how he was looking at her.

Sanin and she were in love for the first time; all the miracles of first love were working in them. First love is like a revolution; the uniformly regular routine of ordered life is broken down and shattered in one instant; youth mounts the barricade, waves high its bright flag, and whatever awaits it in the future--death or a new life--all alike it goes to meet with ecstatic welcome.

'What's this? Isn't that our old friend?' said Sanin, pointing to a muffled-up figure, which hurriedly slipped a little aside as though trying to remain unobserved. In the midst of his abundant happiness he felt a need to talk to Gemma, not of love--that was a settled thing and holy--but of something else.

'Yes, it's Pantaleone,' Gemma answered gaily and happily. 'Most likely he has been following me ever since I left home; all day yesterday he kept watching every movement I made ... He guesses!'

'He guesses!' Sanin repeated in ecstasy. What could Gemma have said at which he would not have been in ecstasy?

Then he asked her to tell him in detail all that had passed the day before.

And she began at once telling him, with haste, and confusion, and smiles, and brief sighs, and brief bright looks exchanged with Sanin. She said that after their conversation the day before yesterday, mamma had kept trying to get out of her something positive; but that she had put off Frau Lenore with a promise to tell her her decision within twenty-four hours; how she had demanded this limit of time for herself, and how difficult it had been to get it; how utterly unexpectedly Herr Klüber had made his appearance more starched and affected than ever; how he had given vent to his indignation at the childish, unpardonable action of the Russian stranger--'he meant your duel, Dimitri,'--which he described as deeply insulting to him, Klüber, and how he had demanded that 'you should be at once refused admittance to the house, Dimitri.' 'For,' he had added--and here Gemma slightly mimicked his voice and manner--'"it casts a slur on my honour; as though I were not able to defend my betrothed, had I thought it necessary or advisable! All Frankfort will know by to-morrow that an outsider has fought a duel with an officer on account of my betrothed--did any one ever hear of such a thing! It tarnishes my honour!" Mamma agreed with him--fancy!--but then I suddenly told him that he was troubling himself unnecessarily about his honour and his character, and was unnecessarily annoyed at the gossip about his betrothed, for I was no longer betrothed to him and would never be his wife! I must own, I had meant to talk to you first ... before breaking with him finally; but he came ... and I could not restrain myself. Mamma positively screamed with horror, but I went into the next room and got his ring--you didn't notice, I took it off two days ago--and gave it to him. He was fearfully offended, but as he is fearfully self-conscious and conceited, he did not say much, and went away. Of course I had to go through a great deal with mamma, and it made me very wretched to see how distressed she was, and I thought I had been a little hasty; but you see I had your note, and even apart from it I knew ...'

'That I love you,' put in Sanin.

'Yes ... that you were in love with me.'

So Gemma talked, hesitating and smiling and dropping her voice or stopping altogether every time any one met them or passed by. And Sanin listened ecstatically, enjoying the very sound of her voice, as the day before he had gloated over her handwriting.

'Mamma is very much distressed,' Gemma began again, and her words flew very rapidly one after another; 'she refuses to take into consideration that I dislike Herr Klüber, that I never was betrothed to him from love, but only because of her urgent entreaties.... She suspects--you, Dimitri; that's to say, to speak plainly, she's convinced I'm in love with you, and she is more unhappy about it because only the day before yesterday nothing of the sort had occurred to her, and she even begged you to advise me.... It was a strange request, wasn't it? Now she calls you ... Dimitri, a hypocrite and a cunning fellow, says that you have betrayed her confidence, and predicts that you will deceive me....'

'But, Gemma,' cried Sanin, 'do you mean to say you didn't tell her?...'

'I told her nothing! What right had I without consulting you?'

Sanin threw up his arms. 'Gemma, I hope that now, at least, you will tell all to her and take me to her.... I want to convince your mother that I am not a base deceiver!'

Sanin's bosom fairly heaved with the flood of generous and ardent emotions.

Gemma looked him full in the face. 'You really want to go with me now to mamma? to mamma, who maintains that ... all this between us is impossible--and can never come to pass?' There was one word Gemma could not bring herself to utter.... It burnt her lips; but all the more eagerly Sanin pronounced it.

'Marry you, Gemma, be your husband--I can imagine no bliss greater!'

To his love, his magnanimity, his determination--he was aware of no limits now.

When she heard those words, Gemma, who had stopped still for an instant, went on faster than ever.... She seemed trying to run away from this too great and unexpected happiness! But suddenly her steps faltered. Round the corner of a turning, a few paces from her, in a new hat and coat, straight as an arrow and curled like a poodle--emerged Herr Klüber. He caught sight of Gemma, caught sight of Sanin, and with a sort of inward snort and a backward bend of his supple figure, he advanced with a dashing swing to meet them. Sanin felt a pang; but glancing at Klüber's face, to which its owner endeavoured, as far as in him lay, to give an expression of scornful amazement, and even commiseration, glancing at that red-cheeked, vulgar face, he felt a sudden rush of anger, and took a step forward.

Gemma seized his arm, and with quiet decision, giving him hers, she looked her former betrothed full in the face.... The latter screwed up his face, shrugged his shoulders, shuffled to one side, and muttering between his teeth, 'The usual end to the song!' (Das alte Ende vom Liede!)--walked away with the same dashing, slightly skipping gait.

'What did he say, the wretched creature?' asked Sanin, and would have rushed after Klüber; but Gemma held him back and walked on with him, not taking away the arm she had slipped into his.

The Rosellis' shop came into sight. Gemma stopped once more.

'Dimitri, Monsieur Dimitri,' she said, 'we are not there yet, we have not seen mamma yet.... If you would rather think a little, if ... you are still free, Dimitri!'

In reply Sanin pressed her hand tightly to his bosom, and drew her on.

'Mamma,' said Gemma, going with Sanin to the room where Frau Lenore was sitting, 'I have brought the real one!'

XXIX

If Gemma had announced that she had brought with her cholera or death itself, one can hardly imagine that Frau Lenore could have received the news with greater despair. She immediately sat down in a corner, with her face to the wall, and burst into floods of tears, positively wailed, for all the world like a Russian peasant woman on the grave of her husband or her son. For the first minute Gemma was so taken aback that she did not even go up to her mother, but stood still like a statue in the middle of the room; while Sanin was utterly stupefied, to the point of almost bursting into tears himself! For a whole hour that inconsolable wail went on--a whole hour! Pantaleone thought it better to shut the outer door of the shop, so that no stranger should come; luckily, it was still early. The old man himself did not know what to think, and in any case, did not approve of the haste with which Gemma and Sanin had acted; he could not bring himself to blame them, and was prepared to give them his support in case of need: he greatly disliked Klüber! Emil regarded himself as the medium of communication between his friend and his sister, and almost prided himself on its all having turned out so splendidly! He was positively unable to conceive why Frau Lenore was so upset, and in his heart he decided on the spot that women, even the best of them, suffer from a lack of reasoning power! Sanin fared worst of all. Frau Lenore rose to a howl and waved him off with her hands, directly he approached her; and it was in vain that he attempted once or twice to shout aloud, standing at a distance, 'I ask you for your daughter's hand!' Frau Lenore was particularly angry with herself. 'How could she have been so blind--have seen nothing? Had my Giovann' Battista been alive,' she persisted through her tears, 'nothing of this sort would have happened!' 'Heavens, what's it all about?' thought Sanin; 'why, it's positively senseless!' He did not dare to look at Gemma, nor could she pluck up courage to lift her eyes to him. She restricted herself to waiting patiently on her mother, who at first repelled even her....

At last, by degrees, the storm abated. Frau Lenore gave over weeping, permitted Gemma to bring her out of the corner, where she sat huddled up, to put her into an arm-chair near the window, and to give her some orange-flower water to drink. She permitted Sanin--not to approach ... oh, no!--but, at any rate, to remain in the room--she had kept clamouring for him to go away--and did not interrupt him when he spoke. Sanin immediately availed himself of the calm as it set in, and displayed an astounding eloquence. He could hardly have explained his intentions and emotions with more fire and persuasive force even to Gemma herself. Those emotions were of the sincerest, those intentions were of the purest, like Almaviva's in the Barber of Seville. He did not conceal from Frau Lenore nor from himself the disadvantageous side of those intentions; but the disadvantages were only apparent! It is true he was a foreigner; they had not known him long, they knew nothing positive about himself or his means; but he was prepared to bring forward all the necessary evidence that he was a respectable person and not poor; he would refer them to the most unimpeachable testimony of his fellow-countrymen! He hoped Gemma would be happy with him, and that he would be able to make up to her for the separation from her own people!... The allusion to 'separation'--the mere word 'separation'--almost spoiled the whole business.... Frau Lenore began to tremble all over and move about uneasily.... Sanin hastened to observe that the separation would only be temporary, and that, in fact, possibly it would not take place at all!

Sanin's eloquence was not thrown away. Frau Lenore began to glance at him, though still with bitterness and reproach, no longer with the same aversion and fury; then she suffered him to come near her, and even to sit down beside her (Gemma was sitting on the other side); then she fell to reproaching him,--not in looks only, but in words, which already indicated a certain softening of heart; she fell to complaining, and her complaints became quieter and gentler; they were interspersed with questions addressed at one time to her daughter, and at another to Sanin; then she suffered him to take her hand and did not at once pull it away ... then she wept again, but her tears were now quite of another kind.... Then she smiled mournfully, and lamented the absence of Giovanni Battista, but quite on different grounds from before.... An instant more and the two criminals, Sanin and Gemma, were on their knees at her feet, and she was laying her hands on their heads in turn; another instant and they were embracing and kissing her, and Emil, his face beaming rapturously, ran into the room and added himself to the group so warmly united.

Pantaleone peeped into the room, smiled and frowned at the same time, and going into the shop, opened the front door.

XXX

The transition from despair to sadness, and from that to 'gentle resignation,' was accomplished fairly quickly in Frau Lenore; but that gentle resignation, too, was not slow in changing into a secret satisfaction, which was, however, concealed in every way and suppressed for the sake of appearances. Sanin had won Frau Lenore's heart from the first day of their acquaintance; as she got used to the idea of his being her son-in-law, she found nothing particularly distasteful in it, though she thought it her duty to preserve a somewhat hurt, or rather careworn, expression on her face. Besides, everything that had happened the last few days had been so extraordinary.... One thing upon the top of another. As a practical woman and a mother, Frau Lenore considered it her duty also to put Sanin through various questions; and Sanin, who, on setting out that morning to meet Gemma, had not a notion that he should marry her--it is true he did not think of anything at all at that time, but simply gave himself up to the current of his passion--Sanin entered, with perfect readiness, one might even say with zeal, into his part--the part of the betrothed lover, and answered all her inquiries circumstantially, exactly, with alacrity. When she had satisfied herself that he was a real nobleman by birth, and had even expressed some surprise that he was not a prince, Frau Lenore assumed a serious air and 'warned him betimes' that she should be quite unceremoniously frank with him, as she was forced to be so by her sacred duty as a mother! To which Sanin replied that he expected nothing else from her, and that he earnestly begged her not to spare him!

Then Frau Lenore observed that Herr Klüber--as she uttered the name, she sighed faintly, tightened her lips, and hesitated--Herr Klüber, Gemma's former betrothed, already possessed an income of eight thousand guldens, and that with every year this sum would rapidly be increased; and what was his, Herr Sanin's income? 'Eight thousand guldens,' Sanin repeated deliberately.... 'That's in our money ... about fifteen thousand roubles.... My income is much smaller. I have a small estate in the province of Tula.... With good management, it might yield--and, in fact, it could not fail to yield--five or six thousand ... and if I go into the government service, I can easily get a salary of two thousand a year.'

'Into the service in Russia?' cried Frau Lenore, 'Then I must part with Gemma!'

'One might be able to enter in the diplomatic service,' Sanin put in; 'I have some connections.... There one's duties lie abroad. Or else, this is what one might do, and that's much the best of all: sell my estate and employ the sum received for it in some profitable undertaking; for instance, the improvement of your shop.' Sanin was aware that he was saying something absurd, but he was possessed by an incomprehensible recklessness! He looked at Gemma, who, ever since the 'practical' conversation began, kept getting up, walking about the room, and sitting down again--he looked at her--and no obstacle existed for him, and he was ready to arrange everything at once in the best way, if only she were not troubled!

'Herr Klüber, too, had intended to give me a small sum for the improvement of the shop,' Lenore observed after a slight hesitation.

'Mother! for mercy's sake, mother!' cried Gemma in Italian.

'These things must be discussed in good time, my daughter,' Frau Lenore replied in the same language. She addressed herself again to Sanin, and began questioning him as to the laws existing in Russia as to marriage, and whether there were no obstacles to contracting marriages with Catholics as in Prussia. (At that time, in 1840, all Germany still remembered the controversy between the Prussian Government and the Archbishop of Cologne upon mixed marriages.) When Frau Lenore heard that by marrying a Russian nobleman, her daughter would herself become of noble rank, she evinced a certain satisfaction. 'But, of course, you will first have to go to Russia?'

'Why?'

'Why? Why, to obtain the permission of your Tsar.'

Sanin explained to her that that was not at all necessary ... but that he might certainly have to go to Russia for a very short time before his marriage--(he said these words, and his heart ached painfully, Gemma watching him, knew it was aching, and blushed and grew dreamy)--and that he would try to take advantage of being in his own country to sell his estate ... in any case he would bring back the money needed.

'I would ask you to bring me back some good Astrakhan lambskin for a cape,' said Frau Lenore. 'They're wonderfully good, I hear, and wonderfully cheap!'

'Certainly, with the greatest pleasure, I will bring some for you and for Gemma!' cried Sanin.

'And for me a morocco cap worked in silver,' Emil interposed, putting his head in from the next room.

'Very well, I will bring it you ... and some slippers for Pantaleone.'

'Come, that's nonsense, nonsense,' observed Frau Lenore. 'We are talking now of serious matters. But there's another point,' added the practical lady. 'You talk of selling your estate. But how will you do that? Will you sell your peasants then, too?'

Sanin felt something like a stab at his heart. He remembered that in a conversation with Signora Roselli and her daughter about serfdom, which, in his own words, aroused his deepest indignation, he had repeatedly assured them that never on any account would he sell his peasants, as he regarded such a sale as an immoral act.

'I will try and sell my estate to some man I know something of,' he articulated, not without faltering, 'or perhaps the peasants themselves will want to buy their freedom.'

'That would be best of all,' Frau Lenore agreed. 'Though indeed selling live people ...'

'Barbari!' grumbled Pantaleone, who showed himself behind Emil in the doorway, shook his topknot, and vanished.

'It's a bad business!' Sanin thought to himself, and stole a look at Gemma. She seemed not to have heard his last words. 'Well, never mind!' he thought again. In this way the practical talk continued almost uninterruptedly till dinner-time. Frau Lenore was completely softened at last, and already called Sanin 'Dimitri,' shook her finger affectionately at him, and promised she would punish him for his treachery. She asked many and minute questions about his relations, because 'that too is very important'; asked him to describe the ceremony of marriage as performed by the ritual of the Russian Church, and was in raptures already at Gemma in a white dress, with a gold crown on her head.

'She's as lovely as a queen,' she murmured with motherly pride,' indeed there's no queen like her in the world!'

'There is no one like Gemma in the world!' Sanin chimed in.

'Yes; that's why she is Gemma!' (Gemma, as every one knows, means in Italian a precious stone.)

Gemma flew to kiss her mother.... It seemed as if only then she breathed freely again, and the load that had been oppressing her dropped from off her soul.

Sanin felt all at once so happy, his heart was filled with such childish gaiety at the thought, that here, after all, the dreams had come true to which he had abandoned himself not long ago in these very rooms, his whole being was in such a turmoil that he went quickly out into the shop. He felt a great desire, come what might, to sell something in the shop, as he had done a few days before.... 'I have a full right to do so now!' he felt. 'Why, I am one of the family now!' And he actually stood behind the counter, and actually kept shop, that is, sold two little girls, who came in, a pound of sweets, giving them fully two pounds, and only taking half the price from them.

At dinner he received an official position, as betrothed, beside Gemma. Frau Lenore pursued her practical investigations. Emil kept laughing and urging Sanin to take him with him to Russia. It was decided that Sanin should set off in a fortnight. Only Pantaleone showed a somewhat sullen face, so much so that Frau Lenore reproached him. 'And he was his second!' Pantaleone gave her a glance from under his brows.

Gemma was silent almost all the time, but her face had never been lovelier or brighter. After dinner she called Sanin out a minute into the garden, and stopping beside the very garden-seat where she had been sorting the cherries two days before, she said to him. 'Dimitri, don't be angry with me; but I must remind you once more that you are not to consider yourself bound ...'

He did not let her go on....

Gemma turned away her face. 'And as for what mamma spoke of, do you remember, the difference of our religion--see here!...'

She snatched the garnet cross that hung round her neck on a thin cord, gave it a violent tug, snapped the cord, and handed him the cross.

'If I am yours, your faith is my faith!' Sanin's eyes were still wet when he went back with Gemma into the house.

By the evening everything went on in its accustomed way. They even played a game of tresette.

XXXI

Sanin woke up very early. He found himself at the highest pinnacle of human happiness; but it was not that prevented him from sleeping; the question, the vital, fateful question--how he could dispose of his estate as quickly and as advantageously as possible--disturbed his rest. The most diverse plans were mixed up in his head, but nothing had as yet come out clearly. He went out of the house to get air and freshen himself. He wanted to present himself to Gemma with a project ready prepared and not without.

What was the figure, somewhat ponderous and thick in the legs, but well-dressed, walking in front of him, with a slight roll and waddle in his gait? Where had he seen that head, covered with tufts of flaxen hair, and as it were set right into the shoulders, that soft cushiony back, those plump arms hanging straight down at his sides? Could it be Polozov, his old schoolfellow, whom he had lost sight of for the last five years? Sanin overtook the figure walking in front of him, turned round.... A broad, yellowish face, little pig's eyes, with white lashes and eyebrows, a short flat nose, thick lips that looked glued together, a round smooth chin, and that expression, sour, sluggish, and mistrustful--yes; it was he, it was Ippolit Polozov!

'Isn't my lucky star working for me again?' flashed through Sanin's mind.

'Polozov! Ippolit Sidorovitch! Is it you?'

The figure stopped, raised his diminutive eyes, waited a little, and ungluing his lips at last, brought out in a rather hoarse falsetto, 'Dimitri Sanin?'

'That's me!' cried Sanin, and he shook one of Polozov's hands; arrayed in tight kid-gloves of an ashen-grey colour, they hung as lifeless as before beside his barrel-shaped legs. 'Have you been here long? Where have you come from? Where are you stopping?'

'I came yesterday from Wiesbaden,' Polozov replied in deliberate tones, 'to do some shopping for my wife, and I'm going back to Wiesbaden to-day.'

'Oh, yes! You're married, to be sure, and they say, to such a beauty!'

Polozov turned his eyes away. 'Yes, they say so.'

Sanin laughed. 'I see you're just the same ... as phlegmatic as you were at school.'

'Why should I be different?'

'And they do say,' Sanin added with special emphasis on the word 'do,' 'that your wife is very rich.'

'They say that too.'

'Do you mean to say, Ippolit Sidorovitch, you are not certain on that point?'

'I don't meddle, my dear Dimitri ... Pavlovitch? Yes, Pavlovitch!--in my wife's affairs.'

'You don't meddle? Not in any of her affairs?'

Polozov again shifted his eyes. 'Not in any, my boy. She does as she likes, and so do I.'

'Where are you going now?' Sanin inquired.

'I'm not going anywhere just now; I'm standing in the street and talking to you; but when we've finished talking, I'm going back to my hotel, and am going to have lunch.'

'Would you care for my company?'

'You mean at lunch?'

'Yes.'

'Delighted, it's much pleasanter to eat in company. You're not a great talker, are you?'

'I think not.'

'So much the better.'

Polozov went on. Sanin walked beside him. And Sanin speculated--Polozov's lips were glued together, again he snorted heavily, and waddled along in silence--Sanin speculated in what way had this booby succeeded in catching a rich and beautiful wife. He was not rich himself, nor distinguished, nor clever; at school he had passed for a dull, slow-witted boy, sleepy, and greedy, and had borne the nickname 'driveller.' It was marvellous!

'But if his wife is very rich, they say she's the daughter of some sort of a contractor, won't she buy my estate? Though he does say he doesn't interfere in any of his wife's affairs, that passes belief, really! Besides, I will name a moderate, reasonable price! Why not try? Perhaps, it's all my lucky star.... Resolved! I'll have a try!'

Polozov led Sanin to one of the best hotels in Frankfort, in which he was, of course, occupying the best apartments. On the tables and chairs lay piles of packages, cardboard boxes, and parcels. 'All purchases, my boy, for Maria Nikolaevna!' (that was the name of the wife of Ippolit Sidorovitch). Polozov dropped into an arm-chair, groaned, 'Oh, the heat!' and loosened his cravat. Then he rang up the head-waiter, and ordered with intense care a very lavish luncheon. 'And at one, the carriage is to be ready! Do you hear, at one o'clock sharp!'

The head-waiter obsequiously bowed, and cringingly withdrew.

Polozov unbuttoned his waistcoat. From the very way in which he raised his eyebrows, gasped, and wrinkled up his nose, one could see that talking would be a great labour to him, and that he was waiting in some trepidation to see whether Sanin was going to oblige him to use his tongue, or whether he would take the task of keeping up the conversation on himself.

Sanin understood his companion's disposition of mind, and so he did not burden him with questions; he restricted himself to the most essential. He learnt that he had been for two years in the service (in the Uhlans! how nice he must have looked in the short uniform jacket!) that he had married three years before, and had now been for two years abroad with his wife, 'who is now undergoing some sort of cure at Wiesbaden,' and was then going to Paris. On his side too, Sanin did not enlarge much on his past life and his plans; he went straight to the principal point--that is, he began talking of his intention of selling his estate.

Polozov listened to him in silence, his eyes straying from time to time to the door, by which the luncheon was to appear. The luncheon did appear at last. The head-waiter, accompanied by two other attendants, brought in several dishes under silver covers.

'Is the property in the Tula province?' said Polozov, seating himself at the table, and tucking a napkin into his shirt collar.

'Yes.'

'In the Efremovsky district ... I know it.'

'Do you know my place, Aleksyevka?' Sanin asked, sitting down too at the table.

'Yes, I know it.' Polozov thrust in his mouth a piece of omelette with truffles. 'Maria Nikolaevna, my wife, has an estate in that neighbourhood.... Uncork that bottle, waiter! You've a good piece of land, only your peasants have cut down the timber. Why are you selling it?'

'I want the money, my friend. I would sell it cheap. Come, you might as well buy it ... by the way.'

Polozov gulped down a glass of wine, wiped his lips with the napkin, and again set to work chewing slowly and noisily.

'Oh,' he enunciated at last.... 'I don't go in for buying estates; I've no capital. Pass the butter. Perhaps my wife now would buy it. You talk to her about it. If you don't ask too much, she's not above thinking of that.... What asses these Germans are, really! They can't cook fish. What could be simpler, one wonders? And yet they go on about "uniting the Fatherland." Waiter, take away that beastly stuff!'

'Does your wife really manage ... business matters herself?' Sanin inquired.

'Yes. Try the cutlets--they're good. I can recommend them. I've told you already, Dimitri Pavlovitch, I don't interfere in any of my wife's concerns, and I tell you so again.'

Polozov went on munching.

'H'm.... But how can I have a talk with her, Ippolit Sidorovitch?'

'It's very simple, Dimitri Pavlovitch. Go to Wiesbaden. It's not far from here. Waiter, haven't you any English mustard? No? Brutes! Only don't lose any time. We're starting the day after to-morrow. Let me pour you out a glass of wine; it's wine with a bouquet--no vinegary stuff.'

Polozov's face was flushed and animated; it was never animated but when he was eating--or drinking.

'Really, I don't know, how that could be managed,' Sanin muttered.

'But what makes you in such a hurry about it all of a sudden?'

'There is a reason for being in a hurry, brother.'

'And do you need a lot of money?'

'Yes, a lot. I ... how can I tell you? I propose ... getting married.'

Polozov set the glass he had been lifting to his lips on the table.

'Getting married!' he articulated in a voice thick with astonishment, and he folded his podgy hands on his stomach. 'So suddenly?'

'Yes ... soon.'

'Your intended is in Russia, of course?'

'No, not in Russia.'

'Where then?'

'Here in Frankfort.'

'And who is she?'

'A German; that is, no--an Italian. A resident here.'

'With a fortune?'

'No, without a fortune.'

'Then I suppose your love is very ardent?'

'How absurd you are! Yes, very ardent.'

'And it's for that you must have money?'

'Well, yes ... yes, yes.'

Polozov gulped down his wine, rinsed his mouth, and washed his hands, carefully wiped them on the napkin, took out and lighted a cigar. Sanin watched him in silence.

'There's one means,' Polozov grunted at last, throwing his head back, and blowing out the smoke in a thin ring. 'Go to my wife. If she likes, she can take all the bother off your hands.'

'But how can I see your wife? You say you are starting the day after to-morrow?'

Polozov closed his eyes.

'I'll tell you what,' he said at last, rolling the cigar in his lips, and sighing. 'Go home, get ready as quick as you can, and come here. At one o'clock I am going, there's plenty of room in my carriage. I'll take you with me. That's the best plan. And now I'm going to have a nap. I must always have a nap, brother, after a meal. Nature demands it, and I won't go against it And don't you disturb me.'

Sanin thought and thought, and suddenly raised his head; he had made up his mind.

'Very well, agreed, and thank you. At half-past twelve I'll be here, and we'll go together to Wiesbaden. I hope your wife won't be angry....'

But Polozov was already snoring. He muttered, 'Don't disturb me!' gave a kick, and fell asleep, like a baby.

Sanin once more scanned his clumsy figure, his head, his neck, his upturned chin, round as an apple, and going out of the hotel, set off with rapid strides to the Rosellis' shop. He had to let Gemma know.